中国美学的现代转化:从主体性到主体间性

发布时间：2018-01-15 21:33

本文关键词：中国美学的现代转化:从主体性到主体间性　出处：《湖北大学学报(哲学社会科学版)》2010年01期 　论文类型：期刊论文

【摘要】：从历史条件来说,主体性的实践美学所赖以产生的启蒙时代已经过去,市场经济的发展带来的现代社会已经来临,因此人的精神需要也发生了变化,从高扬主体性转化为批判主体性,从对主体性的信心转化为对主体间性的渴望。在这种时代背景下,主体间性的后实践美学取代主体性的实践美学就势在必然了。从世界美学的现代发展上看,主体性哲学和美学已经成为过去,当代哲学美学已经走向主体间性。如果说上个世纪80年代的中国美学的思想资源还是19世纪的西方美学包括青年马克思的《手稿》的话,那么当代中国美学已经面向现代西方美学,与世界美学的接轨也必然要求中国美学的主体间性转向。这就是说,当代中国美学的发展,就是扬弃曾经作为主流的主体性实践美学,在继承其合理成果的基础上,展开对它的学术批判,并且在主体间性哲学的基础上建构现代美学体系。在这个意义上,持续多年的实践美学与后实践美学的论争,就是中国美学现代转型的过程,因此其意义是不能低估的。我们有理由相信,随着这场争论的深入发展,一个可以与世界美学比肩的中国现代美学体系一定会出现。
[Abstract]:In terms of historical conditions, the enlightenment era on which subjective practical aesthetics is based has passed, and the modern society brought about by the development of market economy has come, so the spiritual needs of human beings have also changed. From exaltation of subjectivity to critical subjectivity, from the confidence of subjectivity to the desire of intersubjectivity. It is inevitable that the intersubjectivity post-practical aesthetics replaces the subjective practical aesthetics. From the modern development of the world aesthetics, the subjective philosophy and aesthetics have become the past. Contemporary philosophical aesthetics has moved towards intersubjectivity. If we say that the ideological resources of Chinese aesthetics in -20s or the western aesthetics of 19th century including the manuscript by young Marx. So the contemporary Chinese aesthetics has been oriented to modern western aesthetics, and the integration with the world aesthetics will inevitably require the inter-subjectivity turn of Chinese aesthetics, which is to say, the development of contemporary Chinese aesthetics. It is to sublate the subjective practical aesthetics which used to be the mainstream and to carry out academic criticism on it on the basis of inheriting its reasonable achievements. And on the basis of inter-subjectivity philosophy to construct the modern aesthetic system. In this sense, the controversy between practical aesthetics and post-practical aesthetics, which has lasted for many years, is the process of modern transformation of Chinese aesthetics. Therefore, its significance should not be underestimated. We have reason to believe that with the further development of this controversy, a modern Chinese aesthetic system that can match the world aesthetics will emerge.
【作者单位】：厦门大学中文系;
【分类号】：B83-06
【正文快照】： 中国在上个世纪80年代确立了以实践美学为代表的主体性美学的主流地位,从而树立了一块美学发展的里程碑。在90年代以后,以“后实践美学”为代表的主体间性美学崛起,预示着中国美学的重大转变。主体间性美学取代主体性美学是历史的必然,也是美学理论自身现代发展的要求。为此,

【共引文献】