体系与无体系之辩——读潘知常近著《生命美学》

发布时间：2018-01-19 07:26

本文关键词： 审美活动生命美学现代美学美学研究生命活动审美关系文化哲学存在方式美学体系超越美学　出处：《学术月刊》1992年05期 　论文类型：期刊论文

【摘要】：正近年来,美学研究落入了低谷,然而,美学队伍仍然以其巨大的整体努力在向前开拓。一方面,美学走向泛化(这个词可以从积极消极两个角度去理解),成为一种生活美学或科技美学;另一方面美学又走向深化,成为一种文化哲学。后一个走向的理论以积极参与社会主义文化建设为己任,取一种横向放眼世界,纵向通观古今的架势,并且在不同程度上超越现代美学的视角、体系与范畴,给人以耳目一新之感。美学作为文化哲学或文化战略的积极参与者,负担着重大的社会责任。由此,产生了超越美学的理论需要。它也表现为两个方向,一个是否定美学在文化中的较
[Abstract]:In recent years, aesthetic research has fallen into a trough, however, the aesthetic team is still moving forward with its tremendous overall efforts. On the one hand, aesthetics tends to generalize (the term can be understood from the positive and negative perspectives). Become a kind of life aesthetics or science and technology aesthetics; On the other hand, aesthetics has deepened and become a cultural philosophy. The latter theory takes the active participation in the construction of socialist culture as its own responsibility, taking a lateral view of the world, vertical view of the ancient and modern posture. And in varying degrees beyond the perspective of modern aesthetics, systems and categories, give people a fresh sense of freshness. Aesthetics as an active participant in cultural philosophy or cultural strategy, bear a significant social responsibility. It also shows two directions, one is negating the comparison of aesthetics in culture.
【正文快照】： 近年来,美学研究落入了低谷,然而,美学队伍仍然以其巨大的整体努力在向前开拓。一方面,美学走向泛化(这个词可以从积极消极两个角度去理解),成为一种生活美学或科技美学;另一方面美学又走向深化,成为一种文化哲学。后一个走向的理论以积极参与社会主义文化建设为己任,取一种

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