颓废审美风格与晚明中国现代性

发布时间：2018-02-22 11:49

本文关键词： 颓废审美风格晚明中国现代性　出处：《西北师大学报(社会科学版)》2012年05期 　论文类型：期刊论文

【摘要】：颓废是一种历史性的现象,晚明中国因商品经济高度发展、政治黑暗和心学播散等原因,赋予"颓废"以新质。晚明士人的颓废是一种"去道德化"的审美精神,主要表现为一种社会审美风格和文学审美风格。晚明士人躲避宰制儒家所追求的崇高精神的规约,一方面,通过生命扭曲的自放生活表征出怪诞化的社会审美风格;另一方面,通过艺术化的社会生活表现出精致化的社会审美风格。晚明文学作为彼时士人生活之反映,亦表现出综合化、怪诞化、精致化等颓废审美风格特征。晚明士人的颓废审美风格是以消极的方式来解除社会压抑的程度,尽可能地追求个体自由,已具有个性解放的精神质素,从而表征着中国现代性。
[Abstract]:Decadence is a historical phenomenon. In the late Ming Dynasty, due to the high development of commodity economy, the political darkness and the spread of psychology, the decadence of the late Ming Dynasty was endowed with a new quality, and the decadence of the scholars in the late Ming Dynasty was a kind of aesthetic spirit of "demorality". In the late Ming Dynasty, the scholars avoided the lofty spirit pursued by the patriarchal Confucianists. On the one hand, they characterized the grotesque social aesthetic style through the life distortion of their own life; on the other hand, they showed the grotesque social aesthetic style. As a reflection of the life of the scholars in the late Ming Dynasty, the literature of the late Ming Dynasty, as a reflection of the life of the scholars at that time, also showed a comprehensive and grotesque style. The decadent aesthetic style of the late Ming Dynasty is to relieve the degree of social repression in a negative way, to pursue individual freedom as far as possible, and to have the spiritual quality of individual liberation, thus representing the modernity of China.
【作者单位】：西安交通大学人文学院;
【基金】：教育部人文社会科学基金项目“颓废与中国现代性的近代起源(1573-1644)”(10YJC751083) 国家社会科学基金项目“当代少数民族文学批评与民族主义意识形态研究”(09BZW071)
【分类号】：B83-092

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