李泽厚“新感性”思想研究

发布时间：2018-02-28 08:26

本文关键词： 李泽厚新感性积淀内在自然的人化感官的人化情欲的人化　出处：《陕西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：李泽厚是当代中国美学界中比较著名的一位学者,他研究的领域非常广泛,涉及文学、史学和哲学等诸多领域,并取得卓著成就。他的思想紧跟时代潮流,并被同时代许多人研究。所以对他的关注还是有意义的。本文从李泽厚对个体生存的思考出发,以他《美学四讲》第三章中关于“新感性”问题的论述为基础,并结合李泽厚其他著述的相关内容,通过对李泽厚“新感性”思想形成的来源的探寻,深入探讨了“新感性”思想的基本内容,分析了“新感性”思想的哲学基础是“内在自然的人化”,“新感性”的建立是积淀说,“新感性”形成的主体要求是“感官的人化”以及“新感性”形成的内在条件是情欲的人化,最后给予“新感性”思想以客观的评价和其在李泽厚美学思想中应有的地位。本文的引言主要涉及选题的意义和目的、国内外研究的现状以及研究方法与内容。本文的正文主要由四章构成。第一章是对李泽厚美学思想作一个概要式的叙述。从实践论到主体性实践美学再到情本体,李泽厚从历史发展的角度,把美学看作是第一哲学。在其思想行进过程中,“新感性”思想越来越被受到重视。同时,美学与艺术形影不离。对李泽厚关于新感性与艺术之间关系的认识的梳理是有必要的。在美学视野下,作为产生美感的“新感性”,与艺术是有内在一致性的。作为人类以及个体的精神性代表的艺术,或说人精神物化的产物——艺术,反映着积淀了的新感性,并反过来又促使新感性的发展。突出了李泽厚美学思想中对“新感性”在艺术中的重视。第二章主要介绍李泽厚“新感性”思想的形成。“新感性”思想形成是有其社会背景和理论资源的。李泽厚紧跟时代潮流,面对社会物质实践不断发展中出现的个体生存问题,李泽厚重新发掘中国儒道互补的思维模式和心理状态,结合马克思主义实践美学——自然的人化、康德的先验主义,以及海德格尔对个体生存的思考,意图说明李泽厚的“新感性”思想是在中西共同影响下而形成的。第三章主要介绍李泽厚“新感性”思想的基本内容。首先指出“新感性”建立的途径是积淀说,“新感性”的“新”就在于积淀了社会的、历史的、实践的、理性的东西。其次指明“新感性”思想形成的哲学基础是内在自然的人化。李泽厚说“自然的人化”是马克思主义关于塑造人性和陶冶审美心灵的一大理论。他吸收了此观点,对此有所发挥：它包括外在自然的人化和内在自然的人化两方面。而内在目然的人化又分为“感官的人化”和“情欲的人化”,前者是“新感性”对主体的要求。后者是“新感性”形成的内在条件。“感官的人化”和“情欲的人化”一起建构着人的心理——情感结构。第四章主要介绍李泽厚“新感性”思想的意义与影响。“新感性”思想的生发,是李泽厚紧随时代步伐对中国美学研究中所出现问题作出的积极努力,为中国美学发展做出了贡献。即使有学者质疑,认为李泽厚的“新感性”思想只是一种欣慰式的设想,具体落实到个体现实中又应如何,这只由读者依自己的素养与经验去理解与体会。这也许受到时代以及李泽厚个人原因吧! 第三部分是结语,指出李泽厚是较早从感性的人及个体存在角度对美学进行研究的学者。总结了他对个体性和个体存在重视的四种情况。最后肯定了李泽厚“新感性”思想的价值,同时也承认了它的缺点,所以“新感性”思想仍需不断完善,使“新感性”思想的内部结构化,系统化,不仅有学科建设意义,而且对当代个体审美生活与生存也具有指导意义。
[Abstract]:Li Zehou is a contemporary aesthetic circle in China famous scholar, his research field is very broad, including literature, history and philosophy and many other fields, and made remarkable achievements. His thoughts follow the trend of the times, and study many contemporaries. So it is meaningful to his attention.
From the thinking of the individual life of Li Zehou, with his four > third < aesthetic theory of "new sensibility" of the chapter as the foundation, combined with other related contents of Li Zehou works, through exploring the source of the formation of Li Zehou's thought of "new sensibility", explored the basic content of "new sensibility" thought, analyzes the philosophical foundation of "new sensibility" thought is the "inherent" humanization of nature ", the establishment of new sensibility" is the accumulation said, "the main formation of new sensibility" is the requirement of "sensory humanization" and "new sensibility" formed in the human condition is lust, finally give the "new perceptual" to objective evaluation and its rightful place in Li Zehou's aesthetic thought.
The introduction of this paper mainly deals with the significance and purpose of the topic, the status of the research at home and abroad, and the methods and contents of the research.
The main body of this article is composed of four chapters.
The first chapter is an overview of the narrative style of Li Zehou's aesthetic thoughts. From the practice of subjectivity of practice aesthetics to the ontology of emotion, Li Zehou from the perspective of historical development, the aesthetics is regarded as the first philosophy. In the process of thought, the thought of "new sensibility" has got more and more attention. At the same time, aesthetics and the art of shadow. On Li Zehou's understanding about the relationship between new sensibility and art review is necessary. In the aesthetic perspective, as the beauty of "new sensibility", and art is the internal consistency. As the art of human and the spirit of the individual representative, or art product of human spirit materialized that reflects the accumulation of new sensibility, and in turn prompted the development of new sensibility. Highlights the importance of "new sensibility" in the art of Li Zehou's aesthetic thought.
The second chapter mainly introduces the formation of Li Zehou's "new sensibility". The thought of "new sensibility" thought has its social background and theoretical resources. Li Zehou followed the trend, in the face of social substance practice emerging in the development of individual existence, Li Zehou discovered Chinese complementation of Confucianism and Taoism thinking mode and mental state, combined with Marx's practice the humanization of nature aesthetics, Kant's transcendental thinking, and Heidegger to the individual survival, shows the intention of Li Zehou's "new sensibility" is common in Chinese and Western thought under the influence of the formation.
The third chapter mainly introduces the basic content of Li Zehou's thought of "new sensibility". The paper points out that "new ways of perception" is established for the accumulation of "new sensibility", "new" is the accumulation of the social, historical, practical, rational thing. Then pointed out "the philosophical basis of the formation of new sensibility" thought is the humanization of nature. Li Zehou said "humanization of nature" is the Marx doctrine on the shaping of human nature and cultivate a theory of aesthetic mind. He absorbed the point of view, this play: it includes two aspects of external and internal Nature Humanization humanization of nature. While the inner nature humanization is divided into "humanization of the senses" and "lust" humanization, the former is the "new sensibility" of the subject. The latter is the internal conditions of new sensibility "." sensory humanization "and" human flesh "together with the construction of a person's psychological- Emotional structure.
The fourth chapter mainly introduces the influence and significance of Li Zehou's "new sensibility". The thought of "new sensibility" thought and the birth of Li Zehou, keep up with the pace of efforts regarding the research of aesthetic appearance China, contributing to the Chinese aesthetic development. Even some scholars have questioned that Li Zehou's thought is "new sensibility" a relief type idea, specific to the individual reality and how to understand this, and only by readers in literacy and their own experience to understand. This may be the era of Li Zehou and personal reasons!
The third part is the conclusion, it is pointed out that Li Zehou earlier from the perceptual person and individual point of view of aesthetics. Scholars summed up his individual and individual attention. There are four cases finally affirmed Li Zehou's "new sensibility" thought of the value, and that its disadvantages, so the "new sensibility" thoughts still need to continue to improve, so that the "new sensibility" ideology of internal structured, systematic, not only has the significance of discipline construction, but also has guiding significance to the contemporary aesthetic individual life and survival.

【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：B83-0

【参考文献】