审美的第二次现代性——从舒斯特曼与韦尔施的审美伦理思想谈起

发布时间：2018-03-28 18:10

本文选题：舒斯特曼　切入点：韦尔施　出处：《厦门大学学报(哲学社会科学版)》2011年06期

【摘要】：舒斯特曼和韦尔施这两位当今国际美学界的重要学者,在审美伦理方面的思想有异曲同工之处:都反对现代性的理性至上和各种恶性区隔,反对审美现代性的区分逻辑,在美学与伦理学、审美与伦理的关系上,都更关注两个领域的联姻,这顺应了后现代的跨越边界和填平沟壑。但是,舒斯特曼强调审美对伦理的渗透,却忽视了审美对伦理元素的汲取,在审美与伦理的关系上最终走向差异、多元的伦理审美化,这折射了后现代自身的矛盾,即一方面反思、克服现代性,另一方面却以同一原则消解自身,为了历史而放弃价值观的东西。韦尔施则为差异的后现代审美寻求基础和确定性,从伦理角度寻求审美的普遍共享性,在维护多元性的同时,更倾向于对共享价值的追求,与后现代的第二阶段,即正在兴起的"第二次现代性"、"审美的第二次现代性"不谋而合。
[Abstract]:Schusterman and Wilshch, two important scholars in the field of international aesthetics nowadays, share some similarities and differences in their thoughts on aesthetic ethics: they both oppose the rational supremacy of modernity and all kinds of malignant divisions, and oppose the logic of distinguishing aesthetic modernity. In the relationship between aesthetics and ethics, aesthetics and ethics, they all pay more attention to the marriage of the two fields, which conforms to the post-modern crossing of borders and filling the gullies. However, Schusterman emphasizes the penetration of aesthetics into ethics. However, it ignores the absorption of ethical elements by aesthetics, the ultimate trend towards difference in the relationship between aesthetics and ethics, and the pluralistic ethical aesthetic appreciation, which reflects the contradiction of postmodernism itself, that is, on the one hand, it reflects on the other hand, it overcomes modernity. On the other hand, on the other hand, he dispels himself by the same principle and gives up the values for the sake of history. Versch seeks the basis and certainty for the post-modern aesthetics of difference, and seeks the universal sharing of aesthetics from an ethical point of view, while preserving pluralism. It is more inclined to pursue the shared value, which coincides with the second stage of postmodernism, that is, the rising "second modernity" and the "second modernity of aesthetics".
【作者单位】：扬州大学文学院;
【基金】：国家社会科学基金项目“诗与德:审美与伦理的互动及其在文学中的显现”(04CZW005)
【分类号】：B83-09

【共引文献】