青年文化与20世纪中国美学

发布时间：2018-04-01 05:11

  本文选题：青年文化　切入点：中国现代美学　出处：《河南社会科学》2017年09期

【摘要】：20世纪中国一个非常重要的社会文化现象就是青年文化的崛起。作为一个历史概念,青年文化是西方近代启蒙文化的产物,它在中国诞生的标志是五四新文化运动的发生。中国很多美学家都深受其影响。由于青年文化的思想浸润,中国现代美学具有鲜明的特色:尚"力"、尚"新",重视美学与科学的内在关系。青年文化与中国当代美学的关系也颇深,中华人民共和国成立后前30年,受青年文化的影响,美学主要呈现出追求崇高风格、崇尚斗争思想审美风貌;改革开放后20年,青年文化与启蒙思想结盟,热衷于建基于人性学基础上的新的美学原则的建立;20世纪90年代中后期,青年文化开始与消费主义、大众文化融合,形成了独特的青年亚文化景观。在研究青年主义对20世纪中国美学的影响时,应该予以理性客观的分析与批评。
[Abstract]:A very important social and cultural phenomenon in China in the 20th century is the rise of youth culture. As a historical concept, youth culture is the product of western modern enlightenment culture. Its birth in China was marked by the emergence of the May 4th New Culture Movement. Many Chinese aestheticians were deeply influenced by it. Due to the ideological infiltration of youth culture, Chinese modern aesthetics has distinct characteristics: still "force", "new", attach importance to the inherent relationship between aesthetics and science. The relationship between youth culture and contemporary Chinese aesthetics is also very deep. 30 years after the founding of the people's Republic of China, it was influenced by youth culture. Aesthetics mainly presents the pursuit of lofty style and advocates the aesthetic style of struggle ideology. Twenty years after the reform and opening up, youth culture and enlightenment thought are aligned, and they are keen to establish new aesthetic principles based on the foundation of human nature in the middle and late 1990s. Youth culture began to merge with consumerism and mass culture, forming a unique youth subcultural landscape. When studying the influence of youth culture on Chinese aesthetics in the 20th century, it should be analyzed and criticized rationally and objectively.
【作者单位】： 郑州大学文学院;
【基金】：河南省哲学社会科学规划基金项目(2014BZX005) 河南省社科联调研课题项目(SKL-2015-1085)
【分类号】：B83-092
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本文编号：1694109