本雅明的生产论美学再认识

发布时间：2018-04-04 23:12

本文选题：生产论美学　切入点：光晕　出处：《马克思主义研究》2009年06期

【摘要】：本雅明的生产论美学不是对大众文化的简单的肯定,而是一种辩证的批判理论。他对光晕衰竭带来的艺术接受方式转换的批判性分析,其实质是分析人类认知方式的历史性变异,揭示机械复制时代艺术社会功能的两面性。为了更深入地分析当代艺术实践的政治根基,本雅明回到了马克思对商品拜物教的批判命题。本雅明的生产论美学为中国当代的大众文化研究提供了可供借鉴的理论视野。要全面准确地认识、把握大众文化的本质规律,既看到大众文化对于满足群众文化需求的积极一面,也不能忽视大众文化的负面因素,特别是对传统颠覆过程中产生的负面作用。
[Abstract]:Benjamin's aesthetics of production theory is not a simple affirmation of popular culture, but a dialectical critical theory.His critical analysis of the transformation of art acceptance mode brought about by halo exhaustion is to analyze the historical variation of human cognitive style and to reveal the two sides of the social function of art in the era of mechanical reproduction.In order to further analyze the political foundation of contemporary art practice, Benjamin returned to Marx's critical proposition of commodity fetishism.Benjamin's aesthetics of production theory provides a theoretical perspective for the study of mass culture in China.To fully and accurately understand and grasp the essential laws of popular culture, we should not ignore the negative factors of popular culture, and not only see the positive side of popular culture in meeting the needs of mass culture, but also do not ignore the negative factors of mass culture.Especially the negative effect on the traditional subversion process.
【作者单位】：广州行政学院马克思主义研究室;《探求》杂志社编辑部;
【基金】：温朝霞主持的2007年度国家社会科学基金项目《1980年后日韩影视剧在中国的传播及其影响》(批准号:07CXW005)的阶段性成果
【分类号】：B832

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