先秦阴阳五行文化中的“和合”美学观念

发布时间：2018-04-05 22:07

  本文选题：阴阳　切入点：五行　出处：《西北大学学报(哲学社会科学版)》2017年06期

【摘要】：先秦阴阳五行文化,系上古先民建构的一种关于宇宙万物普遍性法则的系统结构理论,并且逐渐成为阐发宇宙三才之道、建构整体意义世界的解释框架。当古人以阴阳五行解释框架来认知审美实践活动时,便形成了先秦时期以阴阳五行学说为文化底蕴的"和合"美学观念。先秦时期的阴阳五行文化及其"和合"美学观念,对于我国古代的美学思想、文学理论、艺术创作,尤其是音乐创作和理论批评,产生了深刻的影响。传统文艺思想对于美与善、文与质、乐与悲、物与欲、音与心、礼与乐等关系的认识,都集中体现了先秦阴阳五行文化中的"和合"美学观念。
[Abstract]:The culture of Yin Yang and five elements in the Pre-Qin Dynasty is a systematic structure theory about the universal rule of the universe constructed by the ancient people and has gradually become the explanatory framework of explaining the three talents of the universe and constructing the whole world of meaning.When the ancients used the frame of interpretation of Yin Yang and five elements to cognize the aesthetic practice activities, they formed the aesthetic concept of "harmony" in the pre-Qin period with the theory of Yin and Yang five elements as the cultural essence.The Yin-Yang and five-element culture in the pre-Qin period and its aesthetic concept of "harmony" had a profound impact on the ancient aesthetic thought, literary theory, artistic creation, especially music creation and theoretical criticism.The understanding of the relationship between beauty and goodness, literature and quality, music and sadness, substance and desire, sound and heart, and ritual and music in the traditional literary and artistic thought embodies the aesthetic concept of "harmony" in the culture of the five elements of Yin and Yang in the Pre-Qin Dynasty.
【作者单位】： 中国社会科学院外国文学研究所;
【分类号】：B83-092
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本文编号：1716669