美学理论中的共同人性

发布时间：2018-04-07 16:47

本文选题：审美　切入点：美的观念　出处：《民族艺术》2016年04期

【摘要】：尽管不同文化的艺术和美学观念存在很大的隐性差异,但由于人类基本的感知、美学偏好、生命之初的基本情感、对社会性目的反应等具有某些普遍的共性,因此不同文化的审美理论中表现出许多的相似性。检视欧洲、非洲、印度、中国、日本的美学理论,可以得出一些具有普遍性的观点:不同文化中对艺术和美的观念有着很大差异,不过各种文化都认为好与坏总是相较而言,并且往往"好的"物品可能被看作是"美"的;除了非穆斯林的非洲和现代西方之外,其他地方都存在文学的地位要高于其他艺术门类的倾向;至少在本土范围内,艺术家个人的风格和个性可以被识别出来;艺术的不同结构有着一贯的相似性;不同民族对于艺术与世俗现实的"心理距离"意识有着很有意思的变异表现;在所涉及的诸种文化中,艺术中的一切最终都取决于一种非凡奇异的神秘力量和以某种方法激起或抑制的次力量。
[Abstract]:Although there are great hidden differences in art and aesthetics in different cultures, there are some universal commonalities due to human's basic perception, aesthetic preference, basic emotion at the beginning of life, reaction to social purpose, etc.Therefore, there are many similarities in the aesthetic theory of different cultures.Looking at the aesthetic theories of Europe, Africa, India, China, and Japan, we can draw some universal views: there are great differences in the concepts of art and beauty in different cultures, but all cultures think that good and bad are always compared.And often "good" objects may be regarded as "beautiful"; with the exception of non-Muslim Africa and the modern West, there is a tendency for literature to take precedence over other categories of art, at least within its own borders.The individual style and personality of the artist can be recognized, the different structures of art have consistent similarity, the consciousness of "psychological distance" between art and secular reality has a very interesting variation among different nationalities;In the cultures involved, everything in art ultimately depends on an extraordinary mysterious force and a secondary force that somehow arouses or suppresses.
【作者单位】：山东艺术学院;
【基金】：中国艺术研究院院级课题“当代西方艺术人类学的译介和研究”(2016-2-4)阶段性成果
【分类号】：B83-0

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