“意象美学”的现代形态——论叶朗的美学本体论

发布时间：2018-04-13 07:27

本文选题：叶朗 + 意象美学　；参考：《郑州大学学报(哲学社会科学版)》2002年05期

【摘要】：“意象”是中国传统美学的一个基本的和核心的范畴,同时又是中国传统审美创造和鉴赏的基本思维模式。以“意象”为本体的美学思想在中国一直占主导地位。现代形态的“意象美学”建构可以说是中国传统美学精神在当代的重要价值显现,也是叶朗在建构有中国特色的现代美学体系中所做出的一种价值选择,更是叶朗在长期的美学思运中对美学本体论的一种中国式的读解。叶朗以其独特的美学之思,尤其是他那独树一帜的极富民族性更具时代意义的“意象”论美学,越来越为学界所关注和肯定。
[Abstract]:"Image" is a basic and core category of Chinese traditional aesthetics, and a basic mode of thinking of Chinese traditional aesthetic creation and appreciation.The aesthetic thought of "image" as its Noumenon has always occupied the leading position in China.The construction of "image aesthetics" in modern form can be said to be an important value manifestation of Chinese traditional aesthetic spirit in contemporary times, and also a value choice made by Ye Lang in constructing a modern aesthetic system with Chinese characteristics.It is also a Chinese interpretation of aesthetic ontology in long-term aesthetic thinking.Ye Lang has paid more and more attention and affirmation to his unique aesthetic thoughts, especially his unique aesthetics of "image", which is extremely national in nature and has more and more epochal significance.
【作者单位】：中南民族大学文学院
【分类号】：B83-06

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