论戴维斯“第一批艺术”追问下的艺术定义观

发布时间：2018-04-15 19:41

  本文选题：斯蒂芬·戴维斯 + 分析美学　； 参考：《烟台大学学报(哲学社会科学版)》2015年02期

【摘要】：斯蒂芬·戴维斯对艺术定义的研究不仅停留在对各种定义路径的梳理上,还在综合程序性定义与功能性定义的理论成果方面提出了独特的见解。通过"第一批艺术"何以确立这一问题,戴维斯反思了艺术的体制理论中的理论盲点——即该方案难以说明艺术体制本身何以确立,以及在没有艺术体制的支撑下,作品何以成为艺术品的问题。戴维斯对该问题的讨论从另一视角切入了对艺术定义规划本身的理解——即它可视为寻求一种艺术共识及共同理解得以确立的相对普遍的基础。
[Abstract]:Stephen Davis's research on the definition of art not only focuses on the various ways of definition, but also puts forward some unique views on the theoretical achievements of integrating the definition of procedure with the definition of function.Through the question of how "the first art" was established, Davis reflected on the theoretical blind spot in the theory of the system of art-that is, the scheme was difficult to explain how the art system itself was established and without the support of the art system.Why a work becomes a work of art.Davis' discussion of this issue cuts into the understanding of art definition planning itself from another perspective-that is, it can be seen as a relatively universal basis for seeking an artistic consensus and a common understanding.
【作者单位】： 南京大学哲学系;
【分类号】：B83-069
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本文编号：1755504