日本审美意识浅析

发布时间：2018-04-15 20:38

本文选题：美学 + 空寂　；参考：《延边大学》2010年硕士论文

【摘要】：通过对日本哲学思想和美学思想的学习,我们可以了解到日本美学思想的主要特点,它可以可以概括为空寂、物哀、幽玄三个方面,分别从实践主客体以及主客体之间的关系等各个角度来表达了日本人对美的看法,它是同日本的哲学思想是相互联系相互影响的。日本人的美学审美具有明显的当下性,日本哲学也是如此,思想脉络上受到传统的神道思想影响,在现实中受到自然环境以及社会环境制约。日本哲学的主要目的在于论证神人关系的合理性,受此影响产生了富有日本特色的审美意识。从论文难度来讲,要单以一篇研究生水平的论文从整体性把握日本哲学是非常难的。因此,本文刻意回避了篇幅巨大的整体问题,而选择从美学思想这一角度,通过对日本美学思想的研究来探索它的思想之所以成其自身的深层原因。在个体情感表达中,日本人对拥有物重视而对共同物抑制,即外在物的价值判断都由自我所感知,自我是判断的核心,因此日本人在对事物的认知上是相当感性和自我的。这样,感性导致无常的短暂,短暂关注于并发掘出事物的瞬间美,具体表现为空寂、物哀和幽玄,过于关注瞬间和自我个体导致日本人生死观的暴烈。这种“活在当下”的态度和审美情结在其审美意识中有着个体情感和社会行为的表现。而通过运用分析哲学的基本研究方法对其行为表现的解构,我们可以认识到这种审美意识之何以可能的来源即在于日本哲学的主体实践性和日本哲学的身心两重感受性。关注主体的实践而在一定程度上忽视普世恒定的价值观,强调身心两重感受性就使得其审美意识重实践和自我体验,这也是日本人得以展现其具有鲜明民族特色的哲学思想和审美意识的总的根源。
[Abstract]:Through the study of Japanese philosophical thought and aesthetic thought, we can understand the main characteristics of Japanese aesthetic thought, which can be summarized as three aspects: emptiness, object mourning, and seclusion.From the perspective of the practice of subject and object and the relationship between subject and object, this paper expresses the Japanese view of beauty, which is interrelated with Japanese philosophy and affects each other.The aesthetic aesthetics of Japanese people is obviously present, and so is Japanese philosophy. The ideological context is influenced by the traditional Shinto ideology, and is restricted by the natural environment and social environment in reality.The main purpose of Japanese philosophy is to prove the rationality of the relationship between God and man, and the aesthetic consciousness with Japanese characteristics has been produced under this influence.From the point of view of the difficulty of the thesis, it is very difficult to grasp Japanese philosophy from the integrity of a graduate thesis.Therefore, this paper deliberately avoids the whole problem of huge space, and chooses to explore the deep reason of Japanese aesthetic thought through the study of Japanese aesthetic thought from the point of view of aesthetic thought.In the expression of individual emotion, the Japanese attach importance to the possession and restrain the common thing, that is, the value judgment of the external thing is perceived by the self, and the self is the core of the judgment, so the Japanese are quite perceptual and self in the cognition of things.In this way, sensibility leads to the impermanence of transience, a brief attention to and discovery of the instantaneous beauty of things, which is manifested in emptiness, sorrow and seclusion, and too much attention to the moment and the self-individual, which leads to the violent outlook on life and death of the Japanese.This kind of "living in the present" attitude and aesthetic complex has individual emotion and social behavior in its aesthetic consciousness.By using the basic research method of analytical philosophy to deconstruct its behavior, we can realize that the possible source of this aesthetic consciousness lies in the subject practicality of Japanese philosophy and the dual feeling of body and mind of Japanese philosophy.Paying attention to the practice of the subject and neglecting the universal constant values to a certain extent, emphasizing the two senses of body and mind makes its aesthetic consciousness pay attention to practice and self-experience.This is also the general root of the Japanese showing their philosophical thought and aesthetic consciousness with distinct national characteristics.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：B83

【参考文献】