论朱光潜美学与克罗齐的关系——以1948年为转折点

发布时间：2018-05-10 19:12

本文选题：克罗齐美学 + 朱光潜美学　；参考：《文艺研究》2008年11期

【摘要】：本文以20世纪中国历史为背景,将朱光潜不同时期有关克罗齐的著述与克罗齐经典美学、哲学著作进行比较分析,分为几个阶段,即1927—1935年学术崇敬与不完整吸纳,到1936年方法论质疑,再到1948年与克罗齐唯心哲学告别、并有意无意预埋下"潜政治"伏笔,最后到1956—1958年对克罗齐"思想审判",乃至晚年企图修复与克罗齐的正常关系,力图完整地展示朱光潜美学与克罗齐思想的关系史。这段六十二年漫长、曲折的关系史折射出朱光潜对克罗齐美学、哲学不断深化的体认过程,又折射出一代中国知识分子在20世纪复杂的心路历程。
[Abstract]:Based on the history of China in the 20th century, this paper compares Zhu Guangqian's works about Croce in different periods with the classical aesthetic and philosophical works of Croce, which are divided into several stages, namely, academic reverence and incomplete absorption in 1927-1935. By 1936 the methodology was questioned, then in 1948, when he said goodbye to Croce's idealistic philosophy, and intentionally or unintentionally buried the "latent politics", finally, he tried to repair the normal relationship with Croce in his later years by "trying to judge Croce's thoughts" from 1956 to 1958, and in his later years, he tried to repair the normal relationship with Croce. This paper tries to show the history of the relationship between Zhu Guangqian's aesthetics and Croce's thought. The long and tortuous history of 62 years of relationship reflects Zhu Guangqian's deepening understanding of Croce aesthetics and philosophy, and also reflects the complex mental course of a generation of Chinese intellectuals in the 20th century.
【作者单位】：上海交通大学中文系;
【分类号】：B83

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