略论荣格的美学思想

发布时间：2018-05-12 15:35

本文选题：集体无意识 + 原始意象　；参考：《西北师大学报(社会科学版)》1996年02期

【摘要】：Ｃ·Ｇ·荣格作为西方精神分析学说的著名大师之一，他的美学思想是与其分析心理学体系相联系的．他以贯穿自己整个学说体系的＂集体无意识＂概念，作为他美学理论的逻辑起点，提出集体无意识及其原型，，是人类艺术灵感的发祥地．在荣格看来，由于集体无意识是从原型和原始意象中推导出来的，因此以原型为核心形成的＂自主情结＂便成为联结集体无意识与意识之间的浮桥和最活跃、最直接的创作动力．正是从动力角度，荣格不仅区分了艺术作品与艺术创作方法，而且把西方美学史上的＂抽象＂与＂移情＂看作是无意识支配下的两种审美态度进行了全面研究，从而大大拓宽了艺术思维的空间和艺术批评的视野．
[Abstract]:As one of the famous masters of western psychoanalysis, C. G. Jung's aesthetic thought is related to his analytical psychology system. He takes the concept of "collective unconsciousness", which runs through his whole theory system, as the logical starting point of his aesthetic theory, and puts forward the collective unconscious and its prototype, which is the birthplace of human artistic inspiration. In Jung's view, since the collective unconscious is derived from the archetypes and the primitive images, the "autonomous complex" formed by the archetypal core becomes the floating bridge and the most active link between the collective unconscious and the consciousness. The most direct creative motivation. It is from the angle of motive power that Jung not only distinguishes the artistic works from the artistic creation methods, but also makes a comprehensive study of the "abstraction" and "empathy" in the history of western aesthetics as two aesthetic attitudes controlled by the unconscious. This greatly broadens the space of artistic thinking and the visual field of art criticism.
【分类号】：B83-06

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