图像时代的审美真实性问题

发布时间：2018-07-25 21:19

【摘要】：现今业已进入读图时代或曰图像时代,关于审美的真实问题被提到了空前重要的位置上。在传统审美观看来,审美是主体对客观事物的一种特殊认知,是一个寻求"理念"真理的过程;在现代审美观中,事物直接契入自身,与心灵相通,直接与人的感觉、欲望建立联系,审美变成了主体用心灵和感觉在事物之中发现"真实存在"的活动;而在图像时代,人为图像等同于事物的本身,图像代替事物成了审美的对象。一旦图像成为审美的对象,图像的虚拟便逼走了事物的真实,审美的真实性诉求也就遭遇到了从未有过的困境。这样,审美真实的困境所带来的就不止是审美观念的变化,而且更严重的是,横亘在图像与实物之间的造假者,趁"虚"而入,掌控了人的感觉、欲望和心灵,感性结构变为一种权力结构。本来,虚拟的图像是在与真实的对应之中获得审美品质的,人们钟情于图像的目的不是"以虚代实",而是"以虚观实",真实是美的源发之地和回归之所。然而,当图像审美的真实性缺位之后,无所依托的图像就会在虚拟之像和虚假之情中落入了造假者的圈套,而隐藏其后的便是商业利益、文化霸权以及道德危机。
[Abstract]:Now that we have entered the picture-reading era or the image-age, the problem of aesthetic reality has been raised to an unprecedented important position. From the traditional aesthetic point of view, aesthetics is a special cognition of objective things by the subject and a process of seeking the truth of "idea". In modern aesthetics, things are directly connected to themselves, connected with the soul, and directly connected with the feelings of people. In the age of image, the artificial image is equal to the thing itself, and the image instead of the thing becomes the aesthetic object. As soon as the image becomes the aesthetic object, the virtual image forces the thing to be true, and the demand for the truth of the aesthetic also encounters a dilemma that has never been seen before. In this way, the dilemma of aesthetic reality brings not only the change of aesthetic concepts, but also, more seriously, that the counterfeiters between images and objects take advantage of "empty" to control people's feelings, desires, and hearts. The perceptual structure becomes a power structure. Originally, the virtual image obtains the aesthetic quality in the correspondence with the reality. The purpose of people's love for the image is not to "replace the reality with the virtual", but to "view the reality with the virtual", and the truth is the place where beauty originated and returned. However, when the authenticity of image aesthetic is absent, the image without relying on will fall into the trap of the counterfeiter in the virtual image and the false feeling, and hidden behind it are the commercial interests, cultural hegemony and moral crisis.
【作者单位】：河海大学公共管理学院;
【分类号】：B83

【共引文献】