暖男与禁欲系:性别话语的时代隐喻和操演意义
发布时间：2018-10-24 17:03
【摘要】：暖男与禁欲系的性别话语所显示的审"美"转向,敢于尝试对男性形象的美学意义进行重新定义,这是一种较于传统女性主义的重大突破。然而,这种美的定义并不是以女性为主体主动提出的,而是形象工业的审美控制,是资本所塑造的预言与男色消费,由此造成生活世界的殖民化、个体的伪个性化与虚假意识的发展,这些都是现代社会所不可避免的时代隐喻。但是从暖男符号到禁欲系话语的认同转变和互文性,也显示出形象工业与男色消费为女性群体突破男权话语而提供的性别操演意义和过程。因而,只有以化被动为主动的自我觉察为方式,以塑造审美判断的共通感为原则,才能使审美判断脱离形象工业的话语建构与群体本身的利害关系,才能将女性主体从以形象工业为中心的审美共识返回到主体间的相互确认与共识上,使其重新掌握对审美判断的话语权和主导权,消弭性别区隔,形成政治联盟。
[Abstract]:The sexual discourse of warm-male and abstinence shows a "beauty" turn and dares to try to redefine the aesthetic meaning of male image, which is a great breakthrough compared with traditional feminism. However, the definition of this kind of beauty was not put forward on the initiative of women, but the aesthetic control of image industry, the prophecies and male consumption created by capital, which resulted in the colonization of the world of life. The development of individual pseudo-personalization and false consciousness are inevitable metaphors in modern society. However, the transformation of identity and intertextuality from warm male symbols to abstinence discourse also shows the significance and process of gender performance provided by image industry and male consumption for women to break through male discourse. Therefore, only by taking passive self-awareness as a way and shaping the common sense of aesthetic judgment as the principle, can aesthetic judgment be separated from the discourse construction of image industry and the interest of the group itself. Only then can the female subject return from the aesthetic consensus centered on the image industry to the mutual confirmation and consensus among the subjects, so that they can grasp the right to speak and lead the aesthetic judgment again, eliminate the gender division and form a political alliance.
【作者单位】： 福建师范大学;
【基金】：2012年国家社科基金一般项目“多元文化环境下大学生价值导向”(编号:12BKS077)阶段性成果
【分类号】：B83
，
本文编号：2291999
[Abstract]:The sexual discourse of warm-male and abstinence shows a "beauty" turn and dares to try to redefine the aesthetic meaning of male image, which is a great breakthrough compared with traditional feminism. However, the definition of this kind of beauty was not put forward on the initiative of women, but the aesthetic control of image industry, the prophecies and male consumption created by capital, which resulted in the colonization of the world of life. The development of individual pseudo-personalization and false consciousness are inevitable metaphors in modern society. However, the transformation of identity and intertextuality from warm male symbols to abstinence discourse also shows the significance and process of gender performance provided by image industry and male consumption for women to break through male discourse. Therefore, only by taking passive self-awareness as a way and shaping the common sense of aesthetic judgment as the principle, can aesthetic judgment be separated from the discourse construction of image industry and the interest of the group itself. Only then can the female subject return from the aesthetic consensus centered on the image industry to the mutual confirmation and consensus among the subjects, so that they can grasp the right to speak and lead the aesthetic judgment again, eliminate the gender division and form a political alliance.
【作者单位】： 福建师范大学;
【基金】：2012年国家社科基金一般项目“多元文化环境下大学生价值导向”(编号:12BKS077)阶段性成果
【分类号】：B83
，
本文编号：2291999
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