论美学传统思维方式的突破——从社会个体生成论角度看美学的研究对象
发布时间：2018-10-24 18:02
【摘要】：通过以社会个体生成论的基本立场和方法论视角为基础,我们有可能从生成论的角度出发,以生成论的基本框架突破和扬弃美学传统思维方式所坚持的主客二分的预成论基本框架,探讨社会个体的审美维度究竟在什么意义上不同于其认识维度和社会实践维度,它的形成过程和基本特征是什么,以及我们应当如何根据这些方面确定我们进行相关学术研究的方式。
[Abstract]:Based on the basic standpoint and methodological perspective of social individual generationalism, it is possible to proceed from the perspective of generative theory. By breaking through the basic frame of generationism and abandoning the basic framework of the dichotomy of subject and object, which is insisted on by the traditional thinking mode of aesthetics, this paper probes into what sense the aesthetic dimension of social individual is different from its cognitive dimension and social practice dimension. What are its formation processes and basic characteristics, and how we should determine the way we conduct relevant academic research based on these aspects.
【作者单位】： 中国社会科学院哲学研究所哲学与文化研究室
【分类号】：B83
本文编号：2292133
[Abstract]:Based on the basic standpoint and methodological perspective of social individual generationalism, it is possible to proceed from the perspective of generative theory. By breaking through the basic frame of generationism and abandoning the basic framework of the dichotomy of subject and object, which is insisted on by the traditional thinking mode of aesthetics, this paper probes into what sense the aesthetic dimension of social individual is different from its cognitive dimension and social practice dimension. What are its formation processes and basic characteristics, and how we should determine the way we conduct relevant academic research based on these aspects.
【作者单位】： 中国社会科学院哲学研究所哲学与文化研究室
【分类号】：B83
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1 霍桂桓;论美学传统思维方式的突破——从社会个体生成论角度看美学的研究对象[J];江苏社会科学;2003年05期
，本文编号：2292133
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