论周来祥审美关系说

发布时间：2018-12-18 05:50

【摘要】：周来祥(1929-2011),是在中国当代美学领域有着突出成就的一位学者,他主张“美是和谐”,认为美学是研究审美关系的科学,他的美学以独倡和谐在中国当代美学研究中有着自己的鲜明特色。自20世纪80年代中期以来,周来祥的美学思想在学术界日益引起广泛关注,最受人瞩目的是“提出了美是和谐自由关系的新理论”,这也是本文关注的焦点。本文引言部分交代了周来祥审美关系说的研究现状,认为有必要将周来祥审美关系说作为一个独立的研究主题来展开。正文由四部分组成。第一章阐述周来祥审美关系说的渊源,及其在和谐美学体系中的地位、理论渊源和逻辑结构。第二章就和谐美学体系之内对周来祥审美关系说的逻辑结构展开论述。第三章是本文的重点,着眼于美学论争中的周来祥审美关系说。首先,作为美学对象的周来祥审美关系说引起了论争,呼声较高的是主张以审美活动替代之。其次,由于强调哲学思辨,周来祥审美关系说被质疑偏于工具化和普适化。再者,工具化、普适化便有可能导致自由化、理想化,这就关系到美学研究的落脚点问题。第四章是本文的亮点,阐述周来祥审美关系说的启示意义。本文认为,周来祥审美关系说在继承古今中外的美学遗产的基础上,强调中和的现实意义,强调审美价值的现实意义,为美学建构提供了另一种维度,为美学价值提供了另一种审视,具有重大启示意义。综上所述,周来祥审美关系说及其和谐美学从酝酿、构建、发展到完善经历了中国当代美学的各个阶段,跨越那么多苦难的岁月,经历那么多激烈的论争,追求和谐自由的周来祥审美关系说愈加弥足珍贵,愈加耀眼闪亮。
[Abstract]:Zhou Laixiang (1929-2011), a scholar with outstanding achievements in the field of contemporary Chinese aesthetics, advocates "beauty is harmony" and holds that aesthetics is the science of studying aesthetic relations. His aesthetics advocates harmony alone and has its own distinctive characteristics in the study of contemporary Chinese aesthetics. Since the middle of 1980s, Zhou Laixiang's aesthetic thought has attracted more and more attention in academic circles, and the most attractive one is "putting forward a new theory that beauty is a harmonious and free relationship", which is also the focus of this paper. The preface of this paper explains the present situation of Zhou Laixiang's aesthetic relation theory and thinks that it is necessary to take Zhou Laixiang's aesthetic relation theory as an independent research subject. The text consists of four parts. The first chapter expounds the origin of Zhou Laixiang's aesthetic relationship, its position in harmonious aesthetic system, its theoretical origin and logical structure. The second chapter discusses the logical structure of Zhou Laixiang's aesthetic relationship theory within the harmonious aesthetic system. The third chapter is the focus of this paper, focusing on Zhou Laixiang's aesthetic relationship in the aesthetic debate. First of all, Zhou Laixiang's aesthetic relation theory, as the object of aesthetics, has caused controversy, and the voice is to replace it with aesthetic activities. Secondly, due to the emphasis on philosophical speculation, Zhou Laixiang's aesthetic relation theory was questioned by instrumentalization and universality. Furthermore, instrumentalization and universality may lead to liberalization and idealization, which is related to the foothold of aesthetic research. The fourth chapter is the bright spot of this article, expounding the enlightenment significance of Zhou Lai Xiang's aesthetic relation theory. This paper holds that Zhou Laixiang's aesthetic relationship theory emphasizes the realistic significance of neutralization and the realistic significance of aesthetic value on the basis of inheriting the aesthetic heritage of ancient and modern China and foreign countries, which provides another dimension for aesthetic construction. For aesthetic value provides another kind of examination, has the great enlightenment significance. To sum up, Zhou Laixiang's aesthetic relationship theory and its harmonious aesthetics have experienced various stages of contemporary Chinese aesthetics, spanning so many suffering years and experiencing so many heated debates from brewing, constructing, developing to perfecting. Zhou Laixiang's aesthetic relationship in pursuit of harmony and freedom is more precious and dazzling.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：B83-092

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