以阐释之名:格尔茨的符号论美学观
发布时间:2018-12-23 08:14
【摘要】:格尔茨深受符号象征理论的启示,并将阐释人类学理论注入田野-民族志的文化分析中。在此种理论观照下,非西方族群的艺术现象和审美经验成为了一种象征符号,对于艺术符号的阐释解码便关涉着流动的文化意义和美学逻辑。他将艺术的理解置入地方性语境中,进而提炼出艺术作品和艺术活动主体中所蕴含的美学质素。格尔茨以文化整体观切入,运用"深描民族志"的方式对地方族群审美的情境性进行近距离体验和阐释,而在此基础上所形成的符号论美学观则对西方传统美学理论有着特定的人类学反思,并对中国本土美学建构具有借鉴和启发价值。
[Abstract]:Gertz was deeply inspired by symbolic symbolism and introduced the theory of interpretive anthropology into the cultural analysis of field- ethnography. Under this theory, the artistic phenomenon and aesthetic experience of non-western ethnic groups have become a symbolic symbol, and the interpretation and decoding of artistic symbols are concerned with the flowing cultural significance and aesthetic logic. He puts the understanding of art into the local context and then abstracts the aesthetic quality contained in the works of art and the subject of art activities. In the view of the whole culture, Gertz uses the way of "deep description of ethnography" to make a close experience and explain the aesthetic situation of local ethnic groups. On this basis, the aesthetic concept of symbolic theory has a specific anthropological reflection on the western traditional aesthetic theory, and has reference and enlightening value to the construction of Chinese native aesthetics.
【作者单位】: 中南民族大学民族学与社会学院;
【分类号】:B83-06
,
本文编号:2389679
[Abstract]:Gertz was deeply inspired by symbolic symbolism and introduced the theory of interpretive anthropology into the cultural analysis of field- ethnography. Under this theory, the artistic phenomenon and aesthetic experience of non-western ethnic groups have become a symbolic symbol, and the interpretation and decoding of artistic symbols are concerned with the flowing cultural significance and aesthetic logic. He puts the understanding of art into the local context and then abstracts the aesthetic quality contained in the works of art and the subject of art activities. In the view of the whole culture, Gertz uses the way of "deep description of ethnography" to make a close experience and explain the aesthetic situation of local ethnic groups. On this basis, the aesthetic concept of symbolic theory has a specific anthropological reflection on the western traditional aesthetic theory, and has reference and enlightening value to the construction of Chinese native aesthetics.
【作者单位】: 中南民族大学民族学与社会学院;
【分类号】:B83-06
,
本文编号:2389679
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