中国马克思主义美学实践转向的萌芽
发布时间：2019-01-29 00:59
【摘要】：作为中国当代美学主导思潮的中国马克思主义实践观美学是中国马克思主义美学实践转向的理论产物。而中国马克思主义美学实践转向最早可以追溯到20世纪30、40年代周扬和毛泽东对马克思主义实践观的阐明。周扬在《我们需要新的美学》一文中明确指出,不论是客观的艺术作品还是主观的审美能力都是社会实践的产物。这一观点的提出使得马克思主义哲学的实践观第一次进入了中国马克思主义美学研究者的理论视野。毛泽东则在《实践论》中对作为逻辑起点的实践做出了较为清晰的阐明,并在《在延安文艺座谈会上的讲话》中从马克思主义实践观出发分析了文艺的基本特征。这些基于马克思主义实践观的美学论述直接促发了中国马克思主义美学的实践转向,使得中国马克思主义美学的逻辑起点开始从社会生活转向社会实践。这成为中国马克思主义美学实践转向的萌芽,也是中国马克思主义实践观美学的萌芽。
[Abstract]:As the leading trend of thought in Chinese contemporary aesthetics, the aesthetics of Chinese Marxism practice is the theoretical product of the turning of Chinese Marxist aesthetic practice. The turn of Chinese Marxist aesthetic practice can be traced back to the elucidation of Marxist practice view by Zhou Yang and Mao Zedong in the 1930s and 1940s. Zhou Yang clearly pointed out in "We need New Aesthetics" that both objective works of art and subjective aesthetic ability are the product of social practice. This point of view makes the practical view of Marxist philosophy enter the theoretical field of view of Chinese Marxist aesthetics researchers for the first time. Mao Zedong, on the other hand, clarified the practice as the logical starting point in practice, and analyzed the basic characteristics of literature and art from the viewpoint of Marxist practice in the speech at Yan'an Literature and Art Symposium. These aesthetic expositions based on Marxist view of practice directly promote the practical turn of Chinese Marxist aesthetics and make the logical starting point of Chinese Marxist aesthetics turn from social life to social practice. This has become the germination of Chinese Marxist aesthetic practice turn, and also the germination of Chinese Marxist practical aesthetics.
【作者单位】： 河北师范大学文学院;
【分类号】：B83-02
本文编号：2417484
[Abstract]:As the leading trend of thought in Chinese contemporary aesthetics, the aesthetics of Chinese Marxism practice is the theoretical product of the turning of Chinese Marxist aesthetic practice. The turn of Chinese Marxist aesthetic practice can be traced back to the elucidation of Marxist practice view by Zhou Yang and Mao Zedong in the 1930s and 1940s. Zhou Yang clearly pointed out in "We need New Aesthetics" that both objective works of art and subjective aesthetic ability are the product of social practice. This point of view makes the practical view of Marxist philosophy enter the theoretical field of view of Chinese Marxist aesthetics researchers for the first time. Mao Zedong, on the other hand, clarified the practice as the logical starting point in practice, and analyzed the basic characteristics of literature and art from the viewpoint of Marxist practice in the speech at Yan'an Literature and Art Symposium. These aesthetic expositions based on Marxist view of practice directly promote the practical turn of Chinese Marxist aesthetics and make the logical starting point of Chinese Marxist aesthetics turn from social life to social practice. This has become the germination of Chinese Marxist aesthetic practice turn, and also the germination of Chinese Marxist practical aesthetics.
【作者单位】： 河北师范大学文学院;
【分类号】：B83-02
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