美学与中国现代性历程
发布时间：2019-02-10 19:59
【摘要】：中国美学从20世纪前半期的四模式,到20世纪五六十年代美的本质的四派,再到改革开放后的四种演进关结,基本上是在世界主流文化影响下的一种中国现代学术建构,当中国经历一百多年的奋斗而进入崛起的态势,且处于一个全球化时代多种文化并存的重要性日益突显的时候,一种把中国美学资源在理论上融入世界学术通用规则,以重建中国现代美学的本土形态,或许象征了中国现代性的另一面。
[Abstract]:From the four models in the first half of the 20th century, to the four schools of the essence of beauty in the 1950s and 1960s, to the four kinds of evolution after the reform and opening up, it is basically a kind of modern Chinese academic construction under the influence of the mainstream culture of the world. When China experienced more than one hundred years of struggle and entered the situation of rising, and at a time when the importance of the coexistence of many cultures in a globalized era became increasingly prominent, a kind of Chinese aesthetic resources were theoretically integrated into the general academic rules of the world. Reconstructing the native form of Chinese modern aesthetics may symbolize the other side of Chinese modernity.
【作者单位】： 四川外语学院中外文化比较研究中心
【分类号】：B83-092
，
本文编号：2419493
[Abstract]:From the four models in the first half of the 20th century, to the four schools of the essence of beauty in the 1950s and 1960s, to the four kinds of evolution after the reform and opening up, it is basically a kind of modern Chinese academic construction under the influence of the mainstream culture of the world. When China experienced more than one hundred years of struggle and entered the situation of rising, and at a time when the importance of the coexistence of many cultures in a globalized era became increasingly prominent, a kind of Chinese aesthetic resources were theoretically integrated into the general academic rules of the world. Reconstructing the native form of Chinese modern aesthetics may symbolize the other side of Chinese modernity.
【作者单位】： 四川外语学院中外文化比较研究中心
【分类号】：B83-092
，
本文编号：2419493
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