“绘事后素”:孔子的一个美学命题
发布时间：2019-03-05 19:14
【摘要】：《论语·八佾》提出了两个重要的美学观点:"素以为绚"、"绘事后素"。美术理论、文艺理论、美学理论对这两个要点的训释、阐述,尚欠中肯。孔子和《考工记》中所说的"绘事后素"之"素",强调的是各种色彩在画面上的一种整体效果、品位和境界,众色协调统一或多样统一,达到一种毫无绚丽、琢饰之感的和谐美,此即"素功":最精善、最上等的绘画功力。这种美的境界,可以延伸到文学、艺术的各个门类、领域,具有普遍适用性、共同性。
[Abstract]:The eighth Analects of Confucius puts forward two important aesthetic views: "the essence of beauty" and "the post-painting of things". Art theory, literature theory, aesthetic theory to these two main points of instruction, elaboration, is still not relevant. Confucius and the "element after painting" mentioned in the Records of the examiners emphasized the overall effect, grade and realm of various colors on the picture, the harmony and unity of all colors or the unity of diversity, so as to achieve a kind of non-brilliance. The harmonious beauty of the sense of contemplation, this is called "Su Gong": the most excellent, the most superior painting ability. This kind of beauty realm, can extend to the literature, the art each category, the domain, has the universal applicability, the commonality.
【作者单位】： 中国艺术研究院红楼梦研究所;中国红楼梦学会;
【分类号】：B83-092;B222.2
，
本文编号：2435201
[Abstract]:The eighth Analects of Confucius puts forward two important aesthetic views: "the essence of beauty" and "the post-painting of things". Art theory, literature theory, aesthetic theory to these two main points of instruction, elaboration, is still not relevant. Confucius and the "element after painting" mentioned in the Records of the examiners emphasized the overall effect, grade and realm of various colors on the picture, the harmony and unity of all colors or the unity of diversity, so as to achieve a kind of non-brilliance. The harmonious beauty of the sense of contemplation, this is called "Su Gong": the most excellent, the most superior painting ability. This kind of beauty realm, can extend to the literature, the art each category, the domain, has the universal applicability, the commonality.
【作者单位】： 中国艺术研究院红楼梦研究所;中国红楼梦学会;
【分类号】：B83-092;B222.2
，
本文编号：2435201
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