东方“虚静说”与西方“静穆观”之美学比较
发布时间：2019-05-22 21:16
【摘要】："虚静"和"静穆"是东西方古典艺术作品极力追求的审美意境。两者虽都包含"静"字,但其涵义却是大不相同的,前者着力于"虚",后者着力于"穆",两者都认为只有做到"静"才能隽永含蓄、达到永恒之美。东方"虚静说"要求创作主体在创作时进入"物我两忘"的境地,并要求作品达到"物我交融"、"以天合天"的意境之美;西方"静穆观"则要求创作主体模仿真实,严格遵从美的形式法则、以人工之巧智达到最自然的唯美形式,要求作品体现出崇高与庄严的气息、体现单纯与纯净之美。"虚静说"对中国艺术的审美标准有重要影响,而"静穆观"则成为判定西方古典主义艺术形式与内涵的重要准绳。对二者的比较可以探知东西方古典艺术的异同,从而创作出既具民族特色、又具国际特点的优秀艺术作品。
[Abstract]:Virtual stillness and quietness are the aesthetic artistic conception pursued by classical works of art in the East and the West. Although both of them contain the word "quiet", their meanings are very different. The former focuses on "virtual" and the latter focuses on "Mu". Both of them believe that only by being "quiet" can they be meaningful and achieve eternal beauty. The oriental "virtual quiet theory" requires the creative subject to enter the situation of "things and I forget" when creating, and requires the works to achieve the beauty of the artistic conception of "blending between things and me" and "integrating heaven with heaven". The western "Jingmu View" requires the creative subject to imitate the truth, strictly abide by the formal law of beauty, achieve the most natural aesthetic form with artificial ingenuity, and require the works to embody the lofty and solemn breath and the beauty of simplicity and purity. " The theory of virtual stillness has an important influence on the aesthetic standard of Chinese art, and the view of Jingmu has become an important criterion for judging the form and connotation of western classicism art. The comparison between the two can find out the similarities and differences between eastern and western classical art, so as to create excellent works of art with both national and international characteristics.
【作者单位】： 泰州学院;清华大学美术学院;
【分类号】：B83-091
本文编号：2483266
[Abstract]:Virtual stillness and quietness are the aesthetic artistic conception pursued by classical works of art in the East and the West. Although both of them contain the word "quiet", their meanings are very different. The former focuses on "virtual" and the latter focuses on "Mu". Both of them believe that only by being "quiet" can they be meaningful and achieve eternal beauty. The oriental "virtual quiet theory" requires the creative subject to enter the situation of "things and I forget" when creating, and requires the works to achieve the beauty of the artistic conception of "blending between things and me" and "integrating heaven with heaven". The western "Jingmu View" requires the creative subject to imitate the truth, strictly abide by the formal law of beauty, achieve the most natural aesthetic form with artificial ingenuity, and require the works to embody the lofty and solemn breath and the beauty of simplicity and purity. " The theory of virtual stillness has an important influence on the aesthetic standard of Chinese art, and the view of Jingmu has become an important criterion for judging the form and connotation of western classicism art. The comparison between the two can find out the similarities and differences between eastern and western classical art, so as to create excellent works of art with both national and international characteristics.
【作者单位】： 泰州学院;清华大学美术学院;
【分类号】：B83-091
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