论商代“拨尔而怒”的审美风尚
发布时间：2019-05-29 18:11
【摘要】：商代青铜器上的饕餮纹 ,是经过变形处理的兽面纹 ,它综合了各种现实中与想象中的动物形象。这种被后人视为凶恶、丑陋、狰狞、恐怖的形象 ,却是商代人崇拜的对象 ,也是其心目中最美的形象。它代表了商代人普遍的审美追求 ,亦即拨尔而怒、刚健奋发的审美风尚。其他如青铜器上狞厉的动物造型以及“万舞”和“桑林”舞等 ,也都体现了这种审美风尚。
[Abstract]:The gluttonous grain on bronze ware of Shang Dynasty is a deformed animal grain, which combines all kinds of realistic and imaginary animal images. This kind of image, which is regarded as ferocious, ugly, ferocious and scary by future generations, is the object of worship and the most beautiful image in the Shang Dynasty. It represents the universal aesthetic pursuit of the Shang Dynasty, that is, the aesthetic fashion of dialing anger and vigorous development. Other animals, such as the ferocious animal shape on bronze ware and the dance of "ten thousand dance" and "sanglin", also reflect this aesthetic style.
【作者单位】： 北京语言文化大学
【分类号】：B83
本文编号：2488114
[Abstract]:The gluttonous grain on bronze ware of Shang Dynasty is a deformed animal grain, which combines all kinds of realistic and imaginary animal images. This kind of image, which is regarded as ferocious, ugly, ferocious and scary by future generations, is the object of worship and the most beautiful image in the Shang Dynasty. It represents the universal aesthetic pursuit of the Shang Dynasty, that is, the aesthetic fashion of dialing anger and vigorous development. Other animals, such as the ferocious animal shape on bronze ware and the dance of "ten thousand dance" and "sanglin", also reflect this aesthetic style.
【作者单位】： 北京语言文化大学
【分类号】：B83
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相关期刊论文 前3条
1 刘道广;;{M哸之饰与青铜器兽面纹的审美感[J];学术月刊;1985年05期
2 杜道明;论商代“拨尔而怒”的审美风尚[J];中国文化研究;2001年04期
3 沈涛;浅谈青铜器的纹饰功能[J];美与时代;2002年20期
，本文编号：2488114
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