山水之变─—论先秦至唐代自然美观念的嬗变

发布时间：2019-06-13 19:15

【摘要】：本文试图勾勒出先秦至唐代山水自然美观念变化的历史流程与美学指向，并在此背景上澄清山水文学形成发展过程中的一些重要理论问题。作者认为，中国艺术中对自然的认识，从先秦历晋宋再到唐代，经过了正、反、合三个阶段。作者侧重运用纵向比较的方法，指出从晋宋到唐代山水自然美观念的变化，，主要表现为：由满足自然景物的外在形式，到探究山水的内在意蕴与意趣；由物我并峙．转变为物我交融，情景合一；就美感认识层次而言，由属耳流目，极视听之娱，上升为怡神悦志，通过礼赞自然，获得对宇宙人生的审美顿悟。
[Abstract]:This paper attempts to outline the historical process and aesthetic direction of the change of the concept of natural beauty of mountains and rivers from the pre-Qin Dynasty to the Tang Dynasty, and to clarify some important theoretical issues in the process of the formation and development of landscape literature. The author believes that the understanding of nature in Chinese art, from the pre-Qin Jin and Song dynasties to the Tang Dynasty, has gone through three stages: positive, negative and integrated. By using the method of vertical comparison, the author points out that the changes of the concept of natural beauty of mountains and rivers from Jin and Song dynasties to Tang Dynasty are mainly manifested in the following aspects: from satisfying the external form of natural scenery to exploring the internal meaning and interest of mountains and rivers, from the combination of things and self to the blending of things and self, and the unity of situations. As far as the level of aesthetic cognition is concerned, the aesthetic insight into the aesthetic enlightenment of the universe life can be obtained from the ear to the eye and the extreme audio-visual entertainment to the pleasing spirit of the god and the spirit, and through the praise of nature.
【分类号】：B83

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