论中国古典美学的空间性

发布时间：2019-07-03 16:53

【摘要】：西方美学是时间性美学,而中国美学是空间性美学;中国哲学不是时间性的——"天不变道亦不变",而是空间性的,这个空间是天人合一的世界,充满了原始的生命力——气,气流动于人与自然、人与人之间,天人感应,仁民爱物。西方美学通过审美理解消除时间距离而达到自由,因此是理解论美学;中国美学认为审美是空间性的活动,通过审美同情(感兴论)超越空间距离,达到人与自然的契合(情景交融)以及人与人的和谐(美善相乐),因此中国空间美学是异于西方的同情论美学。在西方后现代主义重返空间性的历史条件下,中国空间美学为世界美学的发展提供了思想资源,也为中国现代美学的发展提供了重要契机,可望在存在的主体间性和超越性基础上,确立审美超越现实时间和现实空间的性质,消弭时间和空间的分裂,使理解与同情无别,达到审美的自由境界。重建时空一体的美学,才是中国美学的未来。
[Abstract]:The western aesthetics is a time-based aesthetics, and the Chinese aesthetics is the space-based aesthetics; the Chinese philosophy is not a time-nature _ "The day does not change.", but the spatial nature, the space is the world of the unity of man and the nature, full of the original vitality _ qi, and the gas flows between the man and the nature, between the person and the person, The people of the sky are sensitive, and the people and the people love things. The western aesthetics has reached the freedom through the aesthetic understanding of the time distance, so it is the understanding of the aesthetics; the Chinese aesthetics thinks that the aesthetic is the activity of the space, and through the aesthetic sympathy (the sense of the feeling) goes beyond the space distance, To achieve the harmony between man and nature and the harmony between man and man, the Chinese space aesthetics is different from the western sympathies. Under the historical conditions of the post-modernism of the west, the Chinese space aesthetics provides the ideological resources for the development of the world's aesthetics, and also provides an important opportunity for the development of the modern Chinese aesthetics, and is expected to be based on the existence of the inter-subjectivity and the superscript. The establishment of the aesthetic transcendence of the real time and the nature of the real space, the elimination of the time and the division of the space, make the understanding and the compassion do not, reach the aesthetic freedom realm. The reconstruction of space-time integrated aesthetics is the future of Chinese aesthetics.
【作者单位】：华侨大学;厦门大学中文系;
【基金】：国家社会科学规划重点项目“中华艺术美学概论”(10AZX007) 福建省社会科学规划项目“主体间性美学”(2009B133)
【分类号】：B83-0

【共引文献】