文化霸权与审美现代性的“合法性”
发布时间：2019-08-03 18:19
【摘要】：正一、从文化霸权到文化自我殖民主义霸权指的是某一民族国家基于自身政治、经济和军事实力而对其他弱势民族国家施加的操控权。当这种权力延伸到文化领域,则形成对于其他民族国家的文化霸权。在二战后的新殖民主义时代,西方国家在处理与新兴国家,包括具有不同意识形态的发展中国家和前殖民地国家的关系时,常常把
[Abstract]:On the one hand, from cultural hegemony to cultural self-colonialism hegemony refers to the control power imposed by a certain nation-state on other vulnerable countries based on its own political, economic and military strength. When this power extends to the cultural field, it forms the cultural hegemony over other nation-states. In the post-World War II neocolonialism era, when dealing with relations with emerging countries, including developing countries with different ideologies and former colonial countries, Western countries often put
【作者单位】： 湛江师范学院人文学院;
【分类号】：B83-0
[Abstract]:On the one hand, from cultural hegemony to cultural self-colonialism hegemony refers to the control power imposed by a certain nation-state on other vulnerable countries based on its own political, economic and military strength. When this power extends to the cultural field, it forms the cultural hegemony over other nation-states. In the post-World War II neocolonialism era, when dealing with relations with emerging countries, including developing countries with different ideologies and former colonial countries, Western countries often put
【作者单位】： 湛江师范学院人文学院;
【分类号】：B83-0
【参考文献】
相关期刊论文 前3条
1 姚新勇;自我殖民主义与跨国生产[J];民族艺术;2001年02期
2 让·保罗·萨特 ,潘培庆;拒领诺贝尔文学奖声明[J];天涯;2001年02期
3 王钦峰;;社会主义与中国文学理论的现代性[J];文艺研究;2008年01期
【共引文献】
相关期刊论文 前6条
1 吴奕，
本文编号：2522714
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