简论中外声乐作品在钢琴伴奏艺术上的不同处理方式

发布时间：2017-12-28 17:15

本文关键词：简论中外声乐作品在钢琴伴奏艺术上的不同处理方式　出处：《中央音乐学院》2011年硕士论文　论文类型：学位论文

【摘要】：中西方声乐作品是在不同文化传统背景、不同时期和环境中产生的,各自所具有的审美特征都有着存在的合理性和必然性。在声乐钢琴伴奏演奏与教学中,深入了解中外声乐作品审美差异和技术侧重的不同是非常重要的,尤其对中国内地的职业声乐伴奏：工作者来说更是如此。汉语艺术歌曲、近当代带有宣传作用的创作歌曲并非世界性的经典音乐文献,但在国内的音乐会和教学中却占有相当重的比例。中外声乐作品钢琴伴奏部分的审美差异包括：钢琴与声乐部分的关系、旋律线条刻画和节奏感的特征差异以及歌词内容的差异；中外声乐作品钢琴伴奏部分各自的技术侧重则体现在对不同乐器模仿的手法和对乐谱文本的不同态度。尊重时代和民族的审美特征,避免人为甚至无意识的“融合”,风格的意义在于纯正。
[Abstract]:Chinese and Western vocal works are produced in different cultural backgrounds, different periods and environments, and their aesthetic characteristics have the rationality and inevitability of existence. In vocal music accompaniment performance and teaching, it is very important to have a deep understanding of the difference between Chinese and foreign vocal music works and the different emphasis of technology, especially for Chinese mainland's professional vocal accompaniment: workers. Chinese art songs and modern and contemporary propaganda songs are not the world's classic music documents, but they occupy a significant proportion in domestic concerts and teaching. Including the aesthetic differences between Chinese and foreign vocal piano accompaniment part of the difference between characteristics of piano and vocal part of the relationship, melody and sense of rhythm and describe the content of the lyrics; different attitudes on Chinese and foreign vocal piano accompaniment part of each technology is reflected in the different instruments imitation techniques and music text. To respect the aesthetic characteristics of the times and the nation, and to avoid the "fusion" of people or even unconscious, the meaning of style is pure.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1

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