大陆校园民谣与台湾校园民歌比较研究

发布时间：2018-01-02 23:09

本文关键词：大陆校园民谣与台湾校园民歌比较研究　出处：《北京师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：大陆校园民谣与台湾校园民歌最辉煌的时期已经过去。然而,与台湾对于校园民歌的学术研究重视度相比,国内研究大陆校园民谣尚属空白。不可否认,大陆校园民谣的兴起是受到只有峡湾之隔并有共同文化属性的台湾校园民歌的影响,但是,由于地域、时代等原因,二者又不单纯是影响与被影响的关系。因而,对于大陆校园民谣的研究,其与台湾校园民歌的比较分析是音乐研究不可绕过的话题。本文试从三个方面将大陆的校园民谣与台湾的校园民歌进行研究:其中包含对台湾校园民歌和大陆校园民谣的历史梳理;对二者进行音乐本体的研究,涉及关于音乐旋律、调式、节奏、配器等研究以及音乐场合、歌词、身势等其他音乐语境的研究,从而将音乐表演与音乐创作作为一个整体来看待;在第三部分中,文章更深层次的探讨了支撑音乐表象的文化内涵,将音乐看成文化的组成元素来分析。从而解读二者因其时代背景的不同但都具备产生校园音乐的必然性,虽然大陆校园民谣的产生受到台湾校园民歌的影响,但其仅局限于诱因,而非因果关系。在此基础上,解释了二者名称的来源,以及由于工业化生产和市场化的运作方式,破坏了校园音乐的生态,使其创作上脱离了校园文化的土壤,失去了校园音乐的清新质朴风格,音乐纯粹性遗失,从而导致了必然的衰落结局。
[Abstract]:The most glorious period between the mainland campus folk songs and the Taiwan campus folk songs has passed. However, compared with the academic research on the campus folk songs in Taiwan, the study of the mainland campus folk songs in China is still blank. There is no denying that. The rise of campus folk songs in mainland China is influenced by Taiwanese campus folk songs which are only separated by fjords and have a common cultural identity. However, due to the region, the times and so on. Therefore, for the study of Chinese campus folk songs, the comparative analysis between them and Taiwan campus folk songs is a topic that can not be bypassed in music research. This paper tries to study the campus folk songs of the mainland and the campus folk songs of Taiwan from three aspects: including the history of the Taiwanese campus folk songs and the mainland campus folk songs; The study of the music Noumenon of the two involves the study of music melody, modulation, rhythm, orchestration and other musical contexts, such as musical occasions, lyrics, posture, and so on. In order to music performance and music creation as a whole; In the third part, the article further discusses the cultural connotation of supporting musical representation. To analyze music as a component element of culture, so as to interpret the two because of the different background of the times, but both have the inevitability of producing campus music, although the emergence of the mainland campus folk songs by the impact of Taiwan campus folk songs. But it is limited to inducement, not causality. On this basis, it explains the origin of the two names, as well as the industrialized production and market-oriented operation mode, which has destroyed the ecology of campus music. The creation is divorced from the soil of campus culture, the fresh and simple style of campus music is lost, and the purity of music is lost, which leads to the inevitable decline.
【学位授予单位】：北京师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J607

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