德彪西《为钢琴而作》的艺术特征及演奏中触键和踏板的特殊运用

发布时间：2018-01-03 12:21

本文关键词：德彪西《为钢琴而作》的艺术特征及演奏中触键和踏板的特殊运用　出处：《南京师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：本文对阿希尔·克劳德·德彪西的钢琴作品——《为钢琴而作》的艺术特色以及在演奏中触键和踏板的合理运用,进行了详尽的阐述。《为钢琴而作》是德彪西的中期作品,包括序曲(Prelude)、萨拉班德舞曲(Sarabande)、托卡塔(Toccata)。在德彪西的钢琴作品创作生涯中,这部作品一直被认为是一部关键性的作品,同时体现了德彪西的崭新的音响理念。本文分三章对这部作品进行了系统的阐述,分析了德彪西钢琴音乐创作的特点以及《为钢琴而作》这部作品的艺术特征,第三章对于触键和踏板在这部作品演奏中的合理运用进行了详细的研究,本文笔者在前人研究的基础上,结合自身学习和演奏的实践经验,对这部作品的触键和踏板这两种演奏技法的运用,进行了全面系统的研究,旨在为自己和他人在学习和演奏这部作品时提供相应的借鉴和参考。
[Abstract]:In this paper, Acil Claude Debussy's Piano Works: < > for piano art features as well as the rational use of playing touch key and pedal, is discussed in detail. Debussy's works for Piano - >, including Overture (Prelude), Sarabande (Sarabande), Toccata (Toccata). Debussy's piano works in his career, this work has been regarded as a critical work, at the same time reflects Debussy's new sound concept.
This paper is divided into three chapters systematically expounded in this work, analyzes the artistic characteristics of Debussy's piano music for Piano and < > this book, the third chapter for the rational use of touch key and pedal to play this work in a detailed study, this paper based on previous study on learning and playing with their own practical experience, this works on the touch key and pedal of the two playing skills were systematically studied, in order to provide the corresponding reference for yourself and others in learning and playing this work.

【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J624.1

【相似文献】