莫扎特圆号作品《~bE大调圆号与弦乐五重奏》之风格把握及艺术表现

发布时间：2018-01-12 17:14

本文关键词：莫扎特圆号作品《~bE大调圆号与弦乐五重奏》之风格把握及艺术表现　出处：《华南理工大学》2012年硕士论文　论文类型：学位论文

【摘要】：圆号，是莫扎特最喜欢的乐器之一，他曾经为圆号谱写过四首圆号协奏曲、一首回旋曲、及一首圆号与弦乐五重奏作品。而他的这些圆号作品都是为了他的朋友洛特格布而作，通过多年的学习以及演奏其他作曲家圆号作品后，我发现了莫扎特圆号作品有着独特的“洛特格布式”的风格，这与洛特格布的性格有着直接的关系，更为重要的是洛特格布精湛的圆号演奏技巧，成为莫扎特圆号作品创作的源泉。莫扎特的圆号作品大多都是用圆号展现柔美恬静的旋律，例如第一乐章的轻盈柔和的快板风，第二乐章的舒缓柔美的行板风、第三乐章6/8拍固有的欢快的节奏，这里面既有莫扎特创作风格的体现，也更多的是体现了“洛特格布式”的风格，而《bE大调圆号与弦乐五重奏》是莫扎特为圆号也是为洛特格布写的唯一一部室内乐作品，，也是最早为洛特格布写的，这部作品与四首圆号协奏曲有着很多相关的联系，虽然创作的时间不同，但由于都是为洛特格布而写，因此作品的风格与四首协奏曲基本相同，但由于当时的时代背景，以及各种乐器间的发展特点又使得这部作品的创作早于四首协奏曲，更为后面四部圆号协奏曲的创作奠定了一定的风格基础。同时这部作品除了风格上的把握外，与另外四部协奏曲作品的不同之处就在于圆号与弦乐之间的完美配合，两组完全不同发音原理的乐器在这部作品里却表现出十分融洽的关系。此曲中圆号不再是唯一的主角，而是和其他各声部之间穿插演绎着乐曲中的每一部主题。尤其是和小提琴完美的对话。这也是笔者想要探讨在这部圆号与弦乐五重奏作品中，洛特格布式圆号的风格是如何通过与弦乐的配合而体现的主要目的。于是笔者从莫扎特的介绍开始，简要介绍一下莫扎特的生平以及他其他作品里圆号的运用进而体现他对圆号的喜爱；第二章则会通过介绍《bE大调圆号与弦乐五重奏》与另外四首协奏曲间的关联，分析出莫扎特圆号作品风格的形成，以及选择该作品研究的原因。第三章则会重点分析一下《bE大调圆号与弦乐五重奏》这部作品，包括曲式结构的介绍，以及每一乐章风格的界定。第四章则会通过圆号与弦乐的结合及圆号自身演奏技术上的阐述来体味出对于这部作品风格的艺术表现如何体现。
[Abstract]:Horn, Mozart is one of the instruments most love, he once wrote four songs for horn Horn Concerto, a song and a song Rondo, five horns and String Quartet works. These works are his horn to his friend Lott G Bbu, through years of learning and playing with other composers of horn works, I found Mozart horn works have a unique "Lotte cloth" style, the character and Lotte cloth has a direct relationship, more important is the Lotte exquisite horn playing skills, become a source of Mozart horn works. Mozart's works are mostly with the horn horn show soft and quiet for example, the first movement of the melody, light soft wind in the second movement Allegro, Andante soothing gentle wind, the third movement 6/8 beat the inherent lively rhythm, which is a style of Mozart Lattice reflected, also more embodies the "Lotte cloth" style, and the horns and strings in Lott G Bbu wrote for the horn is only one chamber music, is also the first to write the Lotte cloth, works with four first Horn Concerto with many related, although the creation time is different, but are written for the Lotte style of work and therefore, four concertos are basically the same, but because of the historical background, as well as a variety of musical instruments between the characteristics of the development and the works of creation as early as the four Concerto for some of the more basic style behind the four Horn Concerto creation. And this works in addition to master the style, different from other four concerto is the perfect match between the horns and strings, two different pronunciation The principle of the instrument in this work has shown a very harmonious relationship. The horn is no longer the only protagonist, but among the other voices with every interpretation of theme music. Especially the violin and the perfect dialogue. This is also the author wants to discuss the horns and String Quartet op. five in the horn type style Lott is how the main purpose and strings with and reflect.
So the author from Mozart introduction, brief introduction about Mozart's life and his other works by the horns and show his love for the horn; the second chapter through the introduction of relevance for horn and strings in four concertos with the addition of the analysis of the formation of Mozart horn style, as well as the choice of the work study reasons. The third chapter will focus on the analysis of five works, including the introduction of formal structure, and every movement style definition. The fourth chapter will be through a combination of round number and string and horn their playing technique elaboration on how to embody the artistic expression for this work style to appreciate.

【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J647.18

【参考文献】