“为用”与“制度”的博弈——佛教音声的历史流变研究

发布时间：2018-01-16 18:43

本文关键词：“为用”与“制度”的博弈——佛教音声的历史流变研究　出处：《中国音乐学》2014年02期 　论文类型：期刊论文

【摘要】：在佛教戒律之于僧尼"不得动乐"的规制中,印度佛教音声体系是由僧、俗两个不同群体共同完成的释俗交响系统;中土佛教音声是在印度佛教音声体系内所做出的元素置换过程,但却在周围"制度环境"的不断更替中经历了"僧尼非乐——僧尼破戒奏乐——伎乐供养僧尼化——俗曲佛用成为传统"的流变过程,原来由僧、俗两个不同群体共同完成的系统逐渐演变成僧尼独自完成。伎乐供养僧尼化并渐趋形成南北区域的地方性选择;当下诵经、器乐供养两大系统实为佛教音声体系流变之后的接衍、简化。佛教音声的历史发展表明:为用是佛教音声生存之本,制度是佛教音声为用之生态框架,为用与制度的博弈是佛教音声流变及其与世俗音乐关联的根本动因,亦是国家在场下佛教音声流变研究的重要维度。
[Abstract]:In the regulation of Buddhist precepts to monks and nuns, the sound and sound system of Indian Buddhism is a symphonic system of interpretation of customs, which is completed by two different groups of monks and customs. Chinese Buddhist sound is a process of element replacement in the sound system of Indian Buddhism. However, in the continuous change of the surrounding "institutional environment", it went through the process of "monks and nuns fel-monks and nuns break the precepts to play music-trick music to support monks and nuns-vulgar music Buddha used to become the tradition", originally by the monks. The system completed by two different groups gradually evolved into monastic and nuns alone. The local choice of north and south regions was gradually formed. At present, chanting, instrumental music to support the two systems after the evolution of the Buddhist sound system, simplified. The historical development of Buddhist sound shows that: to use is the basis of the survival of Buddhist sound. Institution is the ecological framework of Buddhist sound and sound, and the game between use and institution is the fundamental cause of the change of Buddhist sound and its connection with secular music, and is also an important dimension of the study of the change of Buddhist sound under the national field.
【作者单位】：忻州师范学院音乐系;
【基金】：山西省高等学校哲学社会科学研究项目(PSSR,编号2012329)资助
【分类号】：J609.2
【正文快照】： 中国佛教音声的历史研究自20世纪30年代向养?伎乐供养与僧尼有何关联?石窟壁画中的乐舞达的《唐代俗讲考》①算起至今已有八十多年的研形象为何大多数非僧非尼?是佛教专利还是世俗乐究历程,虽在各个层面取得丰硕成果,但其研究更舞?从印度到中土到当下各个地区的活态传承是否多

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