徐州琴书音乐唱腔结构研究

发布时间：2018-01-16 19:02

本文关键词：徐州琴书音乐唱腔结构研究　出处：《中国音乐》2010年04期 　论文类型：期刊论文

【摘要】：徐州琴书是徐州地区特有的曲种之一,根据使用的伴奏乐器的不同可分为两个时期,历经400多年的历史,其演唱形式也从单档、双档、三人档,发展到多人坐唱和表演唱等几种形式。徐州琴书与其他品种的琴书一样,都是由杂曲体结构逐步发展为主体板腔结构形成的。不同的是徐州琴书因使用徐州方言而有别于其他琴书曲种。徐州琴书的音乐结构基本模式为起板—慢四板—大八板或花八板—过板—入活儿唱〔凤阳歌〕、〔垛子板〕或说白—尾声—煞板—结束。它的唱腔主要是由〔凤阳歌〕和〔垛子板〕两首曲牌。文章主要是对这两种主要唱腔凤阳歌和垛子板所做的音乐分析。
[Abstract]:Xuzhou Qin book is one of the unique music species in Xuzhou area. According to the different accompaniment instruments used, it can be divided into two periods. After more than 400 years of history, its singing form is also from single file, double file, three people file. It has developed into several forms, such as many people sitting and performing singing, etc. Xuzhou Qin book is the same as other kinds of piano books. All of them are formed by the gradual development of the miscellaneous body structure into the main board cavity structure. The difference is that the Xuzhou Qin book is different from other kinds of musical music because of the use of Xuzhou dialect. The basic musical structure of Xuzhou Qin book is from the starting board to the slow four-board. Big eight board or spend eight board-cross board-join the work sing (. Feng Yang Song. (palletizer) or white-ending-ending. Its singing is mainly composed of two pieces (Fengyang song) and (palletized board). The article is mainly about the music analysis of the two main singing songs, Fengyang song and palletizing board.
【作者单位】：中国矿业大学艺术学院;
【分类号】：J607
【正文快照】： 徐州琴书,即主要流行在徐州地区的琴书艺术种类之一,根虽在徐州,但枝脉已伸向苏、鲁、豫、皖甚至更为广阔的地区。从时间上来说,已有400多年的历史,虽也与其他曲种有着同样的现代命运。但在现在的徐州,与其他曲种相比,徐州琴书在大众舞台仍能占一席之地。究其中原委,与其自身

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