张千一藏族风格流行歌曲研究

发布时间：2018-01-18 14:26

本文关键词：张千一藏族风格流行歌曲研究　出处：《南京艺术学院》2012年硕士论文　论文类型：学位论文

【摘要】：张千一藏族风格流行歌曲，作为张千一音乐的组成部分，在中国当代流行音乐、军旅音乐创作与传播中占有重要地位。尤其是《青藏高原》是中国大陆原创流行音乐进入一个新高度的标志。张千一藏族风格流行歌曲吸取了藏族民歌音调，使人感受到了深邃、圣洁的藏族文化精神。像20世纪许多藏族题材、藏族风格的音乐作品一样，也显露出一种“他者的眼光”。张千一藏族风格流行歌曲作为一些“主旋律”影视作品中的音乐，无疑也缠绕在中国当代文艺的“天路情结”之中，故在一定意义上具有“主旋律”文艺的审美特征及文化特征。张千一藏族风格流行歌曲的创作，贯穿20世纪90年代中期以来中国歌坛“藏歌热”，，并对“藏歌热”产生了重要影响。
[Abstract]:Zhang Qianyi Tibetan style pop songs, as part of Zhang Qianyi music, in contemporary Chinese pop music. The creation and dissemination of military music plays an important role. In particular, the Qinghai-Tibet Plateau is a sign that the original pop music in mainland China has entered a new height. Zhang Qianyi's Tibetan style pop songs have absorbed the tones of Tibetan folk songs. People feel the profound, holy Tibetan cultural spirit. Like many Tibetan theme, Tibetan style music works in 20th century. Zhang Qianyi's Tibetan style pop songs, as music in some "main melody" films and TV works, are undoubtedly entangled in the "heavenly road complex" of contemporary Chinese literature and art. Therefore, in a certain sense, it has the aesthetic and cultural characteristics of "main melody" literature and art. Zhang Qianyi's creation of popular songs in Tibetan style runs through the "Tibetan songs craze" in the Chinese music world since the middle of 1990s. It also exerts an important influence on Tibetan songs.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J605

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