唐代琵琶杂考——正仓院的“秦汉”琵琶

发布时间：2018-01-21 06:50

本文关键词： 《通典》琵琶秦汉子秦汉曲项五弦阮咸 ■琵琶　出处：《音乐艺术(上海音乐学院学报)》2010年02期 　论文类型：期刊论文

【摘要】：琵琶是中国传统乐器,传入日本后在日本传统音乐中也占有重要地位。本文基于目前学术观念对琵琶分类的不同见解,以唐代文献《通典》为主线,从秦汉子、曲项、秦汉、五弦、阮咸几种琵琶形制和"?琵琶"这种琵琶演奏法等几个方面为切入点,重新尝试对有关各式琵琶的历史文献进行再度思考、审视,并做新的梳理。并就现在多认为"唐代使用的‘龟兹琵琶’或‘胡琵琶’就是‘五弦’"这一观点进行一番探讨。
[Abstract]:Pipa is a traditional Chinese musical instrument, and it also plays an important role in Japanese traditional music after it was introduced into Japan. Based on the different opinions of current academic concepts on the classification of pipa, this paper takes the literature of Tang Dynasty as the main line from the Qin and Han dynasties. Qu Xiang, Qin and Han dynasties, five strings, Ruan Xian several types of pipa shape and "? This kind of pipa playing method is a breakthrough point, and attempts to re-think and examine the historical literature of various types of pipa. And make a new combing. And the view that "Qiuci pipa" or "Hu pipa" used in Tang Dynasty is "five strings" is discussed.
【作者单位】：德国维尔茨堡大学东方文化研究所;
【分类号】：J632.33
【正文快照】： 一、序论有关琵琶演奏场面的描绘,曾有一些奇妙的图画。其中最著名的,要数被誉为代表唐代传统,在正仓院琵琶捍拨(或称拨面)上的那一幅了。(图一、二)奇妙之处究竟在哪儿呢那便是捍拨中描绘的、一般很不常见的异型琵琶。如果打比方的话,那似乎是一个对琵琶一窍不通的门外汉,随

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