威风锣鼓及其民俗学考察

发布时间：2018-01-22 02:43

本文关键词： 威风锣鼓民俗活动传承变异音乐产业　出处：《山西大学》2011年硕士论文　论文类型：学位论文

【摘要】：威风锣鼓源远流长,历史悠久,有着丰富的民俗文化传统和鲜明的地方特色,追溯其历史发展渊源,威风锣鼓可能源于尧唐,起于宋而盛于清,它内容丰富、形式多样,溶音乐、舞蹈、技艺于一体,对民俗学、历史学、社会学、美学具有很重要的学术意义,2006年威风锣鼓被国家列为第一批非物质文化遗产名录,在二十世纪八十年代以来,威风锣鼓跨入了一个新的发展阶段,一批艺术家和文艺工作者对威风锣鼓进行了大量的搜集整理和研究工作,研究成果也层出不穷,社会的关注也在不断的扩大,然而,这几年对威风锣鼓的研究领域大体上只停留在对民间锣鼓谱的搜集整理和音乐本体研究,当然,对音乐本体的研究是一项至关重要不可或缺的步骤,它为我们扩大研究范围提供了基础的条件,本文正是在音乐本体研究的基础之上,扩展到威风锣鼓得以传承发展的民俗环境,在对当地威风锣鼓生存现状的实地调查后,引发了对威风锣鼓进行民俗学和民俗文化产业化的思考,试图超越以往对威风锣鼓的研究仅仅关注音乐本体的方法,借助于音乐人类学中的音乐民俗学和文化产业学的理论,将威风锣鼓和民间民俗活动作为一个文化整体来认识,本文对威风锣鼓所参与的各项民俗活动及民俗的变迁做了深度的描述,并对威风锣鼓在脱离民俗活动后产生的变异,最后与市场经济接轨,做了产业化的初步研究。
[Abstract]:Magnificent gongs and drums have a long history, have a rich folk culture and distinctive local characteristics, trace back to its historical development origin, majestic gongs and drums may have originated from the Yao and Tang dynasties, from Song to Sheng in the Qing Dynasty, it is rich in content. It is of great academic significance to folklore, history, sociology and aesthetics. In 2006, Weifeng gongs and drums were listed as the first batch of intangible cultural heritage list by the state. Since 1980s, Weifeng gongs and drums have stepped into a new stage of development. A group of artists and literary and art workers have carried out a large number of collection and research work on magnificent gongs and drums, and the research results have also been emerging in endlessly, and the social attention has been constantly expanding, however. In the past few years, the research field of gongs and drums in the past few years has mainly remained in the collection and arrangement of the spectrum of folk gongs and drums and the study of music ontology. Of course, the research on music ontology is a crucial and indispensable step. It provides the basic conditions for us to expand the scope of research, this article is on the basis of the study of music ontology, expand to the development of powerful gongs and drums to inherit and develop the folk environment. After the field investigation on the survival situation of the gongs and drums in the local authorities, it leads to the thinking of folklore and folklore culture industrialization of the gongs and drums in Weifeng, and attempts to transcend the previous researches on the gongs and drums of Weifeng only paying attention to the method of music ontology. With the help of the theories of music folklore and cultural industry in the anthropology of music, we can understand the magnificent gongs and drums and folk folklore activities as a whole of culture. This paper describes deeply the folklore activities and the changes of folklore in which the gongs and drums of Weifeng participate, and the variation of the gongs and drums from the folklore activities, and finally connects with the market economy. The preliminary research of industrialization has been done.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J632.5

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