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大小调功能和声在中国早期专业音乐创作中的嬗变及成因

发布时间:2018-01-25 18:37

  本文关键词: 西方大小调功能和声 中国早期专业音乐创作 和声民族化 嬗变 成因 出处:《湖南师范大学》2004年硕士论文 论文类型:学位论文


【摘要】:20世纪初,西方音乐迅猛涌入中国,从此“传而统之”的中国古代音乐史截然中断,中国近现代专业音乐成型,并与中国传统音乐形成隔离。在这一时代背景下,中国专业音乐创作开始萌芽。在20世纪20年代初至40年代末中国早期专业音乐创作的发端过程中,第一、二代专业作曲家们为其付出了艰辛的劳动并取得了喜人的成绩,留下了许多经典作品,为中国现当代专业音乐创作之和声民族化提供了实践依据,为中国和声学的进一步理论研究提供了丰富的实例。 文章以声乐作品为例从中西音乐的曲调基础、和弦结构的多样化、调式调性的特殊性、和声序进的演化四个重要方面,详细论述了在中国早期专业音乐创作中作曲家们从模仿西方传统和声体系到和声民族化的发展到逐步成熟并丰富的嬗变过程,,探索了西方传统功能和声在中国早期的实践创作中的嬗变成因,即和声民族化的实践途径。以上分析研究使我们更加深入地认识到:一、走和声民族化的道路,必须要充分挖掘中国传统音乐资源。二、要认真学习、借鉴西方大小调功能和声理论体系及其技法,兼收并蓄。
[Abstract]:At the beginning of 20th century, western music poured into China rapidly. Since then, the history of ancient Chinese music "handed down and unified" has been completely interrupted, and Chinese modern professional music has taken shape. Under this background, the Chinese professional music creation began to sprout. From the beginning of 1920s to the end of 40s, the beginning process of the Chinese early professional music creation. First, the second generation of professional composers for its hard work and achieved gratifying results, leaving behind a lot of classic works, for China's contemporary professional music creation of harmony to provide a practical basis for nationalization. It provides abundant examples for further theoretical study of harmony acoustics in China. This paper takes vocal music works as an example from four important aspects: the basis of Chinese and Western music, the diversification of chord structure, the particularity of modulation, and the evolution of harmony sequence. In the early professional music creation in China composers from the imitation of the Western traditional harmony system to the development of harmony nationalization to gradually mature and rich process of evolution. This paper explores the causes of the evolution of the western traditional functional harmony in the early practical creation of China, that is, the practical approach to the nationalization of harmony. The above analysis and research make us realize more deeply: first, take the road of harmony nationalization. We must fully tap the Chinese traditional music resources. Secondly, we must study carefully and learn from the western system and techniques of functional harmony in major and minor major.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2004
【分类号】:J613.6

【引证文献】

相关硕士学位论文 前2条

1 李南;建国初期民族调式和声探索的成果[D];武汉音乐学院;2010年

2 王丹;论中国艺术歌曲钢琴伴奏的艺术表现[D];西南交通大学;2012年



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