斯坦尼斯拉夫斯基的艺术理论对声乐艺术的启示

发布时间：2018-01-30 21:37

本文关键词： 斯坦尼斯拉夫斯基声乐情感　出处：《天津音乐学院》2012年硕士论文　论文类型：学位论文

【摘要】：声乐是听觉的艺术、情感的艺术。演唱者运用一定的声音技巧将作品的情感内涵表现给听众,并使其产生共鸣。但目前的声乐表演者普遍存在的一种现象即太注重表现技巧、忽略情感。所以,针对这一问题,本论文将以戏剧表演体系中的斯坦尼斯拉夫斯基表演体系为主要研究对象,发现和总结其中的优秀经验、并探讨其与声乐表演艺术相结合的可能性。分析如何使声乐表演中的人物造型或情感表达更加准确、充分。本文分为三大部分,第一章从概念定义上引出斯坦尼斯拉夫斯基表演体系里的一项重要内容——体验派的基本知识理论。第二章从“假使”、“规定情境”和“想象”入手,具体分析如何在声乐作品中运用斯坦尼斯拉夫斯基的表演体系。第三章则是将斯坦尼斯拉夫斯基表演体系中有关语言方面的实用方法与声乐作品相结合。
[Abstract]:Vocal music is the art of hearing and emotion. The singer uses certain sound skills to express the emotional connotation of the work to the audience. And make it resonate. But the current vocal music performers generally exist a phenomenon that pay too much attention to performance skills, ignore emotion. Therefore, in view of this problem. This thesis will focus on the Stanislawski performance system in the theatrical performance system as the main research object, discover and summarize the outstanding experience. It also discusses the possibility of combining it with vocal performing art, and analyzes how to make the characters' modeling or emotional expression in vocal music performance more accurate and adequate. This paper is divided into three parts. The first chapter leads to an important content of Stanislawski's performance system from the concept definition-the basic knowledge theory of experiential school. The second chapter is from the "suppose". Start with "prescriptive situation" and "imagination". The third chapter is to combine the practical methods of the language in the performance system of Stanislavsky with the vocal music works.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J616

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