丁承运琴学研究

发布时间：2018-01-31 08:35

本文关键词： 丁承运琴学实践清商乐调琴学精神　出处：《河南大学》2011年硕士论文　论文类型：学位论文

【摘要】：丁承运先生是我国知名的音乐教育家和音乐理论家,当代富有成就的古琴演奏家之一。他在教育岗位上辛勤耕耘四十余载,教书育人,著书立说,弘扬琴学,桃李满天下。丁承运在古琴艺术的道路上,兢兢业业、心无旁鹜,以自己非凡的创造力升华了中华古琴艺术,为我国当代琴学的发展做出了巨大贡献,主要有:1、以琴论调对清商乐调的研究;2、对古瑟的复原成就巨大,被称为当代“古瑟复原第一人”,再现了“琴瑟和鸣”的千年绝响;3、琴曲的挖掘和整理方面收获颇丰,打谱了一系列开创性的作品。丁承运在琴学领域的成就颇多,也为当今琴人对琴学的学习和研究提供了巨大的财富。本文以丁承运的琴学成就为主要研究对象,通过笔者与丁承运先生的多次交流学习和专题专访,又查阅大量的文献资料,以“丁承运对当代琴学的贡献及影响”为思路,对丁承运的琴学成就予以简要总结,以期对丁承运为弘扬琴学所进行的活动及影响加以梳理和评价,力求做到客观、清晰和准确。本文分四个部分进行阐述: 第一部分:对丁承运的学琴经历和艺术生涯进行整理和小结,共分为幼学启蒙、勤求古训;琴学积累,厚积薄发;大道至简、彰显非凡三个阶段。第二部分:对丁承运在琴学实践中创办琴会、复原古瑟、挖掘琴曲、应邀讲学四个方面所作的贡献及其对社会的影响进行了全面地梳理和总结。第三部分:对丁承运“以琴论调”对清商乐调的理论进行详细地分析和梳理,阐明了清、平、瑟、楚、侧这五个调的特点,即清、平、瑟是三个琴调,系三均音系;楚调是寄清调和胡笳调弹的楚声;侧调是隋唐俗乐二十八调之权舆,七声定弦法是侧调的标志。第四部分:对丁承运全面继承中国传统文人精神的琴学精神予以总结。
[Abstract]:Mr. Ding Chengyun is our country renowned music educator and music theorist, contemporary Guqin performer of rich achievements. His education in the position of hard work more than 40 years, teaching, writing, promoting the piano, students everywhere.
Ding Chengyun in Guqin art on the road, and no distraction, with their extraordinary creativity and sublimation of the Chinese Guqin art, made a great contribution for the development of China's contemporary piano are: 1, to study on the piano tone qingshangyue tone; 2, to the original great achievements of ancient "Se" complex, known as the "ancient" Se "contemporary recover the first person", depicts the "harps and singing in the Millennium ring; 3, hand QinQu mining and finishing rewarding, this a series of groundbreaking work in the field. Ding Chengyun Qin study achievement a lot, for today's people to learn the piano and piano the research provides great wealth.
Based on Ding Chengyun's piano learning achievement as the main research object, by the author and Mr. Ding Chengyun repeatedly exchange learning and the special interview, and access to a large number of literature, "Ding Chengyun on the contribution and influence of contemporary piano for the idea, Ding Chengyun on the piano will be briefly summarized, in order to Ding Chengyun and effect of promoting the piano to comb and evaluation, and strive to achieve the objective, clear and accurate.
This article is divided into four parts:
The first part of Ding Chengyun's piano art career experience and collation and summary, consists of enlightenment as the young school, ground for old piano; accumulate, accumulate steadily; the road to Jane, highlighting the extraordinary three stages.
The second part: on Ding Chengyun in the piano practice founded the piano, mining music, restoration of ancient "Se", are invited to lecture in four aspects of the contribution and impact on society are summarized and comb.
The third part: Ding Chengyun "of Qingshang music tune theory to piano" argument detailed analysis and combing, clarifies the Qing, Ping, Joseph, Chu, features, the five tone side which is clean, flat, with three piano, three are sound system; Chu is sent Qing Chu sound play Hujia tune harmonic; side tone is Quanyu twenty-eight tones in Sui and Tang Dynasties folk music, the sound of seven tuning method is a sign of side tone.
The fourth part: a summary of the spirit of Ding Chengyun's comprehensive inheritance of the spirit of Chinese traditional literati.

【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J632.31

【参考文献】