中国古代音乐审美观的人本主义批判——评叶明春著《中国古代音乐审美观研究》

发布时间：2018-02-09 20:41

本文关键词： 叶明春《中国古代音乐审美观研究》人本主义核心立场逻辑理路　出处：《交响-西安音乐学院学报》2010年04期 　论文类型：期刊论文

【摘要】：叶明春博士所著《中国古代音乐审美观研究》一书,通过对史料文献大量艰苦的研究考据为基础,归纳梳理出中国古代"平和"与"不平"两种审美观产生、发展与衍变的历史规律,从人的本质的终极关怀的高度对两种审美观进行了客观的评价,力求结合音乐历史形态即感性审美意识探讨音乐美学思想与音乐审美实践之间的关联,具有较强的学术价值与思想价值。
[Abstract]:The study of Ancient Chinese Music Aesthetics by Dr. Ye Mingchun, based on a great deal of hard research and textual research on historical documents, the author sums up and sorts out the appearance of "peace" and "injustice" in ancient China. The development and evolution of the historical law, from the human nature of the ultimate care of the height of the two aesthetic evaluation of the two types of aesthetic objective, with the combination of the historical form of music, that is, the perceptual aesthetic consciousness to explore the relationship between music aesthetic thought and music aesthetic practice. It has strong academic value and ideological value.
【作者单位】：山东师范大学音乐学院;
【分类号】：J609.2

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