音乐符号学视域下的《电子音诗》——以纳蒂埃三重分析法浅析瓦雷兹代表作品为例

发布时间：2018-02-13 12:03

本文关键词： 音乐符号学瓦雷兹电子音诗纳蒂埃三重分析　出处：《音乐艺术(上海音乐学院学报)》2014年04期 　论文类型：期刊论文

【摘要】：音乐符号学是对涉及音乐的各个层面上的符号进行研究的一门学科,是符号学领域具有特殊意义的一个分支,其中音乐符号学家纳蒂埃的三重分析法打破了原有的局限于音乐句法/结构的语言学研究方式,以一种新的角度构建了一种可行的符号分析系统。而电子音乐是20世纪随科学、特别是电子科技的迅猛发展进步而形成的一种新型的音乐创作与表现形式。电子音乐常因为其文本的晦涩与创作素材中噪音-乐音界限的模糊化,让音乐分析者难以从传统的音乐分析视域去剖析、理解。因此,该文尝试运用音乐符号学的基本原理和纳氏的三重分析法技术,以现当代音乐巨匠瓦雷兹代表性的电子音乐作品为研究对象,进行初步的分析阐释,以期用一种新的方法从另一视角来解读这一伟大作品。
[Abstract]:Music semiotics is a branch of semiotics which has special significance in the field of semiotics. The triple analysis method of musical semiotics has broken the original linguistic research mode which is limited to music syntax / structure, and constructed a feasible symbolic analysis system in a new angle. In 20th century, electronic music was followed by science. In particular, the rapid development and progress of electronic technology has resulted in a new form of music creation and expression. Electronic music is often due to the obscurity of its text and the blurring of the boundary between noise and music in the material. Therefore, this paper tries to use the basic principles of music semiotics and the technique of Nessler's triple analysis to analyze and understand music from the perspective of traditional music analysis. Taking the representative electronic music works of Varez as the object of study, this paper makes a preliminary analysis and explanation in order to interpret this great work from another angle of view in a new way.
【作者单位】：上海大学音乐学院;
【分类号】：J605

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