论中国古琴文化精神内涵的传承及其当代意义下的审美重构

发布时间：2018-02-22 23:58

本文关键词： 古琴审美文化乐器　出处：《吉林艺术学院》2012年硕士论文　论文类型：学位论文

【摘要】：中国古琴这一乐器，从诸多历史文献中，都充分表明其所蕴涵的文化意义已经超越了乐器本身。琴乐在几千年的传承发展中被历代文化精英们不断丰富完善和有意识的美学建设，使得古琴不仅具有能够正心、修身，而且具有齐家、治国、平天下的社会功能，其文化内涵远超于一般其他乐器。通过对古琴起源、儒家道家佛家思想对古琴文化的影响以及古代和近现代古琴的审美思想研究，，在对传统文化的继承和发扬的基础上，提出当代意义下的审美重构。正确地把握古琴形制、音色、文化与美学思想之间的联系，借助古琴在中国传统文化中所与生俱来的特殊性和文化体制改革的发展潮流，弘扬古琴文化。
[Abstract]:From many historical documents, the Chinese Guqin is a musical instrument. It is fully demonstrated that its cultural significance has gone beyond the musical instrument itself. In the course of thousands of years of inheritance and development, piano music has been continuously enriched, perfected and consciously constructed by the cultural elites of all dynasties, making Guqin not only capable of self-cultivation, but also self-centered. Moreover, it has the social function of Qi family, governing the country and leveling the world, and its cultural connotation is far more than that of other musical instruments. Through the study of the origin of Guqin, the influence of Confucian Taoist Buddhist thought on Guqin culture and the aesthetic thought of ancient and modern Guqin, on the basis of inheriting and carrying forward the traditional culture, This paper puts forward the aesthetic reconstruction in the contemporary sense, correctly grasping the relationship between the guqin form, timbre, culture and aesthetic thought, and with the help of the inherent particularity of Guqin in Chinese traditional culture and the development trend of cultural system reform. Carry forward the Guqin culture.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J632.31

【参考文献】