赵晓生《太极作曲系统》现代性思维探索

发布时间：2018-03-01 09:45

  本文关键词： 赵晓生 作曲 太极作曲系统　出处：《华中师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：赵晓生先生在新中国作曲的发展历程中有着举足轻重的地位,他是中国音乐发展史上,有着十分重要影响力的教育家、钢琴家、作曲家,“太极作曲系统”便是他创立的。其中包涵了三个大方面,分别是：“合力论”“音集论”“太极论”。赵晓生在中国音乐界的地位是很高的,其音乐才华也是大家有目共睹的,他为推动中国音乐的发展一直不断地努力着。不过,剔除赵晓生先生自己书写的理论书籍、评论、文章不算,国内外在对赵晓生先生的音乐研究之中,以他的“太极作曲系统”为主要理论对象进行仔细研究的文章却并不多见,现有资料之中,大家的主要研究对象侧重于他在钢琴艺术领域、钢琴演奏技巧以及传统作曲手法等方面。 本文主要是将赵晓生的整个太极系统按“合力论”、“音集论”、“太极论”分为三编分别进行分析。“合力论”是太极论与音集论的理论基础,是对从20世纪以来的音乐的一个总的概况与整个系统延伸而来的作曲技术理论的出发点。“音集论”是拥有最广泛的适用性的音高组织理论框架,也是整个太极系统的技法理论基础,对“音集”的构、体、数、质、位、态、核、相、易等核心概念作了详细分析。“太极论”是音集论之中的一个特例,它是“音集运动”的一个特殊的发展形态,它以六十四卦为基础的一种别样的作曲系统。通过这一特例我们得到了证明：从中国古代的哲学系统作为出发点,是可以创造出许许多多极具中华文化内涵特色的音乐形式来的。
[Abstract]:Mr. Zhao Xiaosheng played an important role in the development of music composition in New China. He was an educator and pianist with great influence in the history of Chinese music development. Composer, "Taiji composing system" was founded by him. It contains three major aspects: "the theory of resultant force", "the theory of sound collection", "the theory of Taiji". Zhao Xiaosheng's position in the Chinese music world is very high, and his musical talent is obvious to all. He has been working hard to promote the development of Chinese music. However, excluding the theoretical books, commentaries, and articles written by Mr. Zhao Xiaosheng himself, he does not count, both at home and abroad, in the music research of Mr. Zhao Xiaosheng. However, few articles have been carefully studied with his "Taiji composition system" as the main theoretical object. Among the existing materials, the main objects of study are focused on his work in the field of piano art. Piano playing skills and traditional composition techniques and so on. In this paper, the whole Taiji system of Zhao Xiaosheng is divided into three parts according to "resultant force theory", "phonetic set theory" and "Taiji theory". "resultant force theory" is the theoretical basis of Taiji theory and phonetic set theory. It is the starting point of a general overview of music since 20th century and the whole system extension of the theory of composition technology. "phonetic set theory" is the most widely applicable theoretical framework of pitch organization. It is also the technical theoretical basis of the whole Taiji system. It makes a detailed analysis of the core concepts such as the construction, aspect, number, quality, position, state, core, phase and change of the "phonetic set". "Taiji Theory" is a special case in the phonetic set theory. It is a special form of development of "Yin Ji Movement", and it is based on the 64 hexagram as a different composition system. Through this special case, we have been proved: from the philosophical system of ancient China as the starting point, Can create a lot of Chinese cultural connotations of music form.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J614

【引证文献】

中国硕士学位论文全文数据库 前1条

1 马千越;解析赵晓生太极作曲系统对音高材料的控制[D];西安音乐学院;2013年

，

本文编号：1551402