拉莫—近代和声理论的奠基人

发布时间：2018-03-08 03:08

本文选题：拉莫　切入点：和声理论　出处：《上海师范大学》2004年硕士论文　论文类型：学位论文

【摘要】： 巴洛克音乐时期的一大贡献是拉莫的和声理论，它前承文艺复兴盛期的调式和声，后接古典主义时期的调性和声，成为连接这两个阶段的桥梁。因此，我们要研究近代调性和声理论的形成与发展，，首先需要对拉莫的和声理论作一探讨。本文首先从巴洛克音乐时期的社会发展一般背景和音乐实践背景两个方面分析了拉莫和声理论形成所具备的外部条件；然后结合当时的音乐实践以及拉莫对前人理论研究成果的继承与发展，对拉莫和声理论的主要内容进行了较为全面、系统的介绍，并就其意义作相关阐述，归纳出了拉莫作为近代调性和声奠基人在和声发展史上的重要地位；最后，文章在承继性、实践性、社会性几个方面指出了拉莫和声理论的形成对于我们现今的和声研究所具有的启示意义。
[Abstract]:One of the great contributions of Baroque music period is Lamo's harmony theory, which follows the tone harmony of the Renaissance and then the classical harmony, and becomes the bridge between these two stages. In order to study the formation and development of modern tonality harmony theory, we need to discuss Lamo's harmony theory. This paper first analyzes the external conditions of Lamo's harmony theory from two aspects: the general background of social development and the background of music practice in the Baroque period. Then combined with the music practice at that time and Lamo's inheritance and development of previous theoretical research results, the main content of Lamo's harmony theory is introduced comprehensively and systematically, and its significance is expounded. The important position of Lamo in the history of harmony development as the founder of modern harmony is summarized. Several aspects of sociality point out that the formation of Lamo's theory of harmony has enlightening significance for our present research on harmony.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J609.1

【引证文献】