陈铭志音乐作品中复调艺术风格探索

发布时间：2018-03-10 14:02

本文选题：陈铭志　切入点：复调　出处：《河南大学》2004年硕士论文　论文类型：学位论文

【摘要】： 陈铭志先生尤擅复调音乐的编织，在他创作的大量风格独特、颇具艺术魅力的音乐作品中，复调体裁占有相当的比重，可以说这类作品也是他长期从事复调音乐的研究、著述和教学工作中经验积累的直接反映。本文并未采取常用的研究思路，而是从作曲法的角度出发——即以音乐构成的内容为线索、以创作技法的运用为切入点——将陈先生复调音乐创作的技术内涵分别归纳在主题构成、声部组合与结构组织中详细论述，并在此基础上进一步探索陈铭志音乐作品中复调艺术的风格和特色。论文的主体共分为三章。第一章：主题构成。主要是从动机的衍生方式和主题的结构形式上入手，探讨陈铭志复调音乐作品中主题的构成，研究了他在长期实践中逐步形成的两种规律性的主题创作手法：“动机生成法”和“动机转移法”。第二章：声部组合。以“对置式”和“交换式”为研究框架，归纳、分析了陈铭志复调音乐作品中处理声部组合的具体手段。本章不涉及一般性的手法，而是通过对陈先生喜而擅用的“固定低音式对置”、“调式调性对置”，以及“对称性的交换”和“追逐性的交换”等技术手段的集中论述，体现出他在创作中处理声部组合的灵活生动与精巧细腻。第三章：结构组织。这是陈先生在创作中最注重的环节，亦为本文最重要的章节。陈铭志先生在乐曲结构组织形式上的不懈探索及取得的成果，，不仅体现了他对音乐作品的形式美感与逻辑结构力的高度重视，也反映出他那旺盛的艺术创造力。本章正是以此为写作目的，列举了一些极富创新精神的实例，并深入、细致地分析了它们的创作特色。论文的最后，除了对陈铭志先生复调音乐创作的艺术风格做了提纲式的总结外，还有就笔者在本论题的研究与写作过程中获得的启示所谈的几点感想，希望能与读者共同探讨!
[Abstract]:Mr. Chen Mingzhi is especially good at weaving polyphonic music. In his numerous musical works of unique style and artistic charm, polyphonic genres account for a considerable proportion. It can be said that this kind of work is also a long-term study of polyphony music that he has been engaged in for a long time. Writing and teaching work in the experience of the accumulation of direct reflection. This article does not adopt the common research thought, but starts from the composing method angle-namely takes the music composition content as the clue, takes the creation technique application as the breakthrough point-sums up Mr. Chen polyphony music creation technical connotation separately in the theme constitution, The composition and structure of the voice are discussed in detail, and on this basis, the style and characteristics of polyphonic art in Chen Mingzhi's musical works are further explored. The main body of the thesis is divided into three chapters. Chapter one: theme composition. It mainly discusses the theme composition of Chen Mingzhi's polyphonic music works from the derivation of motivation and the structure of theme. In this paper, the author studies two kinds of regular motif in his long-term practice: motivation generation method and motivation transfer method. The second chapter: the combination of voice parts. Taking "contrastive" and "exchange" as the research framework, this paper summarizes and analyzes the specific means of dealing with the combination of vocal parts in Chen Mingzhi's polyphonic music works. This chapter does not involve general techniques. Instead, it focuses on "fixed bass", "modulation", "symmetry exchange" and "chasing exchange", which are preferred by Mr. Chen. It reflects his flexibility, vividness and delicacy in dealing with the composition of sound parts in his creation. Chapter III: structural organization. This is the most important link in Mr. Chen's creation, and also the most important chapter in this paper. Not only does he attach great importance to the aesthetic sense of form and the power of logical structure of his musical works, but also reflects his vigorous artistic creativity. Their creative characteristics are analyzed in detail. At the end of the thesis, in addition to the summary of the artistic style of Mr. Chen Mingzhi's polyphonic music creation, there are some thoughts about the enlightenment gained by the author in the course of the research and writing of this topic, hoping to discuss with the reader together!
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2004
【分类号】：J614

【引证文献】