香港流行曲歌词中的女性形象（1985—2000）

发布时间：2018-03-14 01:54

本文选题：流行曲　切入点：歌词　出处：《暨南大学》2001年硕士论文　论文类型：学位论文

【摘要】： 女性主义的崛起，提供新的视角去审视社会状况，提醒人们消除性别因素所导致的不平等或歧视，以期建立两性平等的关系。本文希望以流行曲作为研究对象，通过分析女性形象的问题，了解香港社会对女性制约的情况。本文选取1985年至2000年期间香港的“十大中文金曲”和“劲歌金曲”排行榜首十名的歌曲，扣除重复获奖歌曲，非粤语歌曲，及歌词内没有女性形象的，共计197首。把歌词中呈现的女性形象的特征加以分类、归纳，再深入分析具有代表性的文本。歌词所呈现的女性形象可分为两类：刻板化的及多元化的，，而大部分是刻板化的。刻板化的女性形象，指具备情感性的特质，两性的关系呈现传统的男尊女卑，男强女弱等模式，并且以男性利益为考量的女性。可分为五类：男性凝望下只有外表特征的女人，玩弄爱情的“坏女人”，被动的柔弱女人，痴情、守贞的女人及奉献、无我的女人。多元化的女性形象其实是相对于“刻板化”而言，即在歌词里呈现的女性形象并不符合传统形象。可归纳为两类：在爱情中主动、保留自我的女人及质疑爱情神话的女人。女性的自主仍在起步阶段，而传统的父权意识仍是香港社会文化主流的性别意识形态。
[Abstract]:The rise of feminism provides a new perspective to examine social conditions and remind people to eliminate gender factors. Lead to inequality or discrimination in order to establish a gender equality relationship. This paper hopes to use pop music as a research. By analyzing the image of women, we can understand the restriction of Hong Kong society on women. This paper selects Hong Kong's "Ten Chinese Golden songs" and "Jinge Golden songs" from 1985 to 2000. The top 10 songs, excluding repeated winning songs, non-Cantonese songs, and lyrics without female images, A total of 197. The characteristics of the female image presented in the lyrics are classified, summed up, and further analyzed. Representative text. The female images presented by the lyrics can be divided into two categories: stereotyped and diversified, and mostly stereotyped. A stereotyped image of a woman, referring to an emotional trait in which the relationship between the sexes presents the traditional respect for men and women. Women who are inferior, strong and weak, and who consider the interests of men. They can be divided into five categories: men looking down. Only the appearance of the characteristics of the woman, playing with love of the "bad woman", passive weak woman, infatuated, faithful. Women and dedication, women without self. The pluralistic image of women is actually relative to "stereotyping", that is, The female image presented in the lyrics does not conform to the traditional image. It can be divided into two categories: initiative in love, protection in love. The woman who keeps herself and the woman who questions the myth of love. Women's autonomy is still in its infancy, and traditional patriarchal consciousness is still the mainstream gender in Hong Kong's social culture. Ideology.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2001
【分类号】：J642.1

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