里盖蒂西方时期的复调思维研究

发布时间：2018-03-16 09:42

本文选题：里盖蒂　切入点：微复调　出处：《中央音乐学院》2003年硕士论文　论文类型：学位论文

【摘要】： 乔治·里盖蒂(Gy(?)rgy Ligeti)是继巴托克之后匈牙利最伟大的作曲家，也是二十世纪先锋派中最具创造性的作曲家之一。他作品中复杂多变的网状织体和沉着静态的音响特征在现代音乐中独树一帜，而这种音响正是得益于他对微复调的创造性运用。微复调以及机械模式等作曲技术是里盖蒂到达西方之后才开始运用并取得广泛影响的，因此本论文对他的研究范围主要集中在他西方时期(即第二与第三时期)的十几部代表作品上。本论文共分为三章：在第一章中，主要综合阐述里盖蒂的个人生平与创作时期，并对其风格的形成与演变作一个大致的梳理；第二章对微复调的概念、来源及核心技术——音列卡农在里盖蒂作品中的运用作了具体的技术分析，其后探讨了其他西方作曲家以及中国作曲家对音列卡农的创造性使用；第三章对除微复调之外的里盖蒂的其他复调思维作了技术性分析。在经过较为细致的比较研究之后是论文的结语，作者将对里盖蒂的复调思维进行总结并对卡农思维的拓展提出自己的见解。
[Abstract]:George Regatti? In 20th century, he was one of the most creative composers of the avant-garde school. In his works, the complex and changeable reticular texture and the calm and static sound features were unique in modern music, and he was one of the greatest composers in Hungary after Bartok, and also one of the most creative composers of the avant-garde school in 20th century. The sound was thanks to his creative use of micro-polyphony. Composing techniques such as micropolyphony and mechanical mode were not used until Rigatti arrived in the West and gained widespread influence. Therefore, the research scope of this thesis mainly focuses on more than a dozen representative works of his western period (the second and third periods). This thesis is divided into three chapters: in the first chapter, the author mainly expounds the personal life and creation period of Rigatti, and makes a rough combing of the formation and evolution of his style, the second chapter is about the concept of micro-polyphony. The source and core technology, the use of yinrikanon in Rigatti's works, is analyzed in detail, and then the creative use of yinrikanon by other western composers and Chinese composers is discussed. The third chapter makes a technical analysis of Righetti's polyphonic thinking except minor polyphony. After a detailed comparative study, the author will summarize Rigatti's polyphonic thinking and put forward his own views on the expansion of Cannon's thinking.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J614.2

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