福建南音琵琶工尺谱与唱腔关系初探

发布时间：2018-03-24 09:21

本文选题：南音　切入点：琵琶工尺谱　出处：《福建师范大学》2003年硕士论文

【摘要】： 《福建南音琵琶工尺谱与唱腔关系初探》运用民族音乐学方法，试图对南音琵琶“指骨”工尺谱与唱腔的内在统一性、差异性，唱腔润腔法的一般规定性，工尺谱基础上的唱腔差异性特色作一较为全面的论述。第一章，主要从撩拍(节拍)、旋律、泉州方言字调的影响三个方面入手，论述南音琵琶“指骨”工尺谱与唱腔的内在统一性。南音唱腔以南音工尺谱为基础、依据，二者存在着紧密的联系。第二章，依然从撩拍、旋律、泉州方言字调的影响三个方面入手，论述琵琶工尺谱与唱腔的差异性。琵琶工尺谱与唱腔的本质差异在于：唱腔是工尺谱基础上具有特殊意义的“第二度创造”。第三章，具体论述琵琶“指骨”工尺谱对唱腔润腔法的一般规定性。“引”、“塞”、“贯”、“折”是南音唱腔的基本润腔法则。在基本润腔法基础上，工尺谱不同的琵琶弹奏指法(指法组合)意味着不同的润腔方法。第四章，以南音琵琶工尺谱为基础的南音唱腔具有即兴性，，富于变化。南音唱腔的个性差异性、历史差异性、地域差异性、时代差异性是唱腔在工尺谱基础上体现出的几种主要的差异性特色。
[Abstract]:A preliminary study on the relationship between the PIPA work scale and the Phonograph in Fujian Nanyin by means of ethomusicology, this paper attempts to make an attempt to unify and differ the score of "phalangeal bone" of the Nanyin pipa and the canto, as well as the general stipulation of the singing method. On the basis of the scale spectrum, the characteristics of singing difference are discussed in a more comprehensive way. In the first chapter, the author discusses the inner unity of the "phalanx" of Nanyin pipa from three aspects: the rhythm, the melody, and the tone of the dialect of Quanzhou, which is based on the score of the working-ruler of Nanyin, which is based on the "phalanx" of Nanyin. There is a close connection between the two. In the second chapter, we still start from three aspects, namely, racket, melody and the influence of Quanzhou dialect tone. This paper discusses the difference between the score of pipa ruler and that of singing. The essential difference lies in the fact that singing is the "second creation" with special significance on the basis of the score. In the third chapter, the author discusses in detail the general rules of the "phalanx" spectrum of the pipa's "phalanx", which is based on the basic fluxing method, such as "citation", "stopper", "coherence" and "folding". Different pipa playing finger (finger combination) means different way to moisten the cavity. The fourth chapter, based on the Nanyin pipa scale spectrum, has the characteristics of improvisation and variety. The difference of times is the main characteristic of singing on the basis of the scale spectrum.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2003
【分类号】：J617

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