对双排键电子琴演奏技法“模拟”、“协调”的探究

发布时间：2018-03-31 03:09

本文选题：双排键电子琴　切入点：演奏技法　出处：《南京师范大学》2011年硕士论文

【摘要】：双排键电子琴是一种较新的乐器,能给学习者很大的探究空间。在本文中笔者针对双排键电子琴的演奏技法——“模拟”和“协调”进行探究。其中“模拟”是指对各种不同乐器音色的模拟,“协调”是指弹奏时的全身协调以及弹奏与数据盘的协调。笔者将两者分开阐述,是为了比较清晰的凸显两个技法,没有将两者割裂独立开的意思。在实际演奏中,两者是相互结合,相辅相成的。地位不分轻重,重要性相同。不能以点概面,以偏概全。在文中,笔者根据自己的学习经验,大胆总结了演奏上的要点,并提出一些新的称谓,未必所有的同行都能接受,在此,恳请批评指正。毕竟由于种种客观原因,双排键电子琴的演奏还有待形成完整的理论体系。在此,笔者以论文的方式,为双排键电子琴的发展做出绵薄之力,这也是这篇论文的初衷。希望更多的人参与到双排键电子琴的学习和研究中来。
[Abstract]:Double-row keyboard is a relatively new instrument, which can give learners a lot of space to explore.In this paper, the author probes into the playing techniques of double-row keyboard-"simulation" and "coordination".Among them, "simulation" refers to the simulation of various musical instruments' timbre, and "coordination" refers to the coordination of the whole body and the coordination of playing with the data disk.The author explains the two separately in order to highlight the two techniques clearly, and does not separate them from each other.In the actual performance, the two are mutually combined and complementary.Status is of equal importance, regardless of importance.We should not generalize with a point.In this paper, according to my own learning experience, I boldly sum up the main points of playing, and put forward some new appellations, which may not be acceptable to all my peers. Here, I urge criticism and correction.After all, due to various objective reasons, the playing of double-row keyboard still needs to form a complete theoretical system.In this paper, the author makes a small contribution to the development of double-row harpsichord, which is the original intention of this paper.Hope that more people participate in the study and research of double-row keyboard.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J628.1

【引证文献】