谈声乐作品《贵妃醉酒》的二度创作

发布时间：2018-04-01 08:30

本文选题：《贵妃醉酒》　切入点：声乐表演　出处：《中国音乐学院》2011年硕士论文

【摘要】：本文通过对创作歌曲《贵妃醉酒》表演风格、演唱技巧的分析研究,深刻感受到,二度创作是声乐表演艺术真实性和创造性的协调统一,是声音技巧和表演艺术的高度融合。认识到二度创作的重要性对于我们演唱声乐作品,提高自身音乐修养有着不可或缺的作用。本文从二度创作的角度对京剧版《贵妃醉酒》和声乐作品《贵妃醉酒》的比较分析,说明声乐演员作为声乐作品的二度创作者,必须在忠实原作的基础上,积极开启自身丰富的想象思维,对原作进行补充丰富。通过富于创造性的表演,创造出更丰满、更生动的人物形象,才会赋予作品灵魂,使二度创作成为丰富声乐作品生命力的创造性行为。
[Abstract]:Through the analysis and research on the performance style and singing skills of the song "drunken Princess", this paper deeply feels that the second creation is the harmony of the authenticity and creativity of vocal performance art. Is a highly integrated sound technique and performing arts. Realize the importance of second creation for us to sing vocal music works, This paper, from the angle of second creation, makes a comparative analysis of the Beijing Opera version of "the Princess drunk" and the vocal music work "the Princess drunken", which shows that the vocal music actors are the second creators of the vocal music works. On the basis of being faithful to the original, we must actively open our own rich imagination and enrich the original. Only through creative performance, can we create a fuller and more vivid character image to give the soul of the work. Make the second creation become the creative behavior that enriches the vitality of vocal music works.
【学位授予单位】：中国音乐学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J616

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